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Children's Books902Literature and Fiction722Narrative Non-fiction336Self Help179Crafts and Hobbies146Mystery and Crime143Cook Books107UpLit82

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722 titles in the catalogue

Literature and FictionClear all
Now You’re Fucking with my Heart
Literature and Fiction2020 · 176 pp

Now You’re Fucking with my Heart

Alexander Fallo

Alexander Fallos’ debut poetry collection now You’re Fucking with my Heart revolves around a failed relationship, the loss of a father and the emptiness of finding yourself totally alone for the first time in your life. The poems’ narrator is slowly sketched out through unanswered phrases and sometimes-pathetic silent cries. See me now. See me now. Look at me now. The poems in the collection are often short and concise, and some can be described as a stream of sentences that may have been spoken, could have been spoken, ought to have been spoken or should never have been spoken. The white emptiness of grief-stricken phrases is interspersed with small drops of humour, as well as a possible description of our modern times.

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The Dead of the Year
Literature and Fiction2020 · 608 pp

The Dead of the Year

Stig Aasvik

Stig Aasvik writes his life. The Death of the Year expands on the themes covered in his two most recent novels, The Lofoten Wall and The Mayor of Oslo. Once again, we are in Stig’s head. We read about childhood and grief, problems large and small – like combining cohabitation and parental responsibility with self-loathing and other acute existential challenges. As always, Aasvik’s gaze is honest, curious, sharp and dreamlike.

Never, ever, ever
Literature and Fiction2019 · 224 pp

Never, ever, ever

Linn Strømsborg

«I am 35 years old. I do not want children.It’s not something I talk to other people about. It is something that I am ashamed of, a topic I avoid; take long verbal detours around. When my friends talk about having kids, I change the topic. I do not want to be too certain or unbending, because I might suddenly wake up one day and find that I have become one of them, an ordinary woman in her thirthies wanting to get pregnant, wanting a family, wanting to expand my life, my body and my heart to make room for more than myself. You are allowed to change your mind.»The main character in Linn Strømsborg´s novel Never, ever, ever has never wanted children. She has been living with Philip for eight years, and they have agreed to not have children – up until now. Because maybe Philip might want to become a dad after all? And while her two best friends are expecting their first child, and her mother is constantly nagging about grandchildren, and her everyday life is full of parents with toddlers and births and the struggle of others to have enough time for it all, she is firm in her life and her choice about not having children. Never, ever, ever is a novel about why we have children, and why we do not have children. It is the story about choosing something other than what is expected of you, but at the same time wanting a normal life. NOMINATED TO THE NORWEGIAN BOOKSELLER AWARD Strømsborg explore motherhood through the relation the narrator holds to her own mother, her grandparents and her mothers relationship to her parents. She has interesting perspectives on Motherhood vs. Fatherhood, writes beautifully about growing up and how friendships change once someone has kids. The book is never introverted, but has a narrative driven by good dialogues and storyline. The story is elegantly composed, at times cinematic.Strømsborg has written rare and energized prose about a timely and somewhat taboo topic. ***** VGA thing that is exciting about the book is how it portrays the choice of not having children, both in a longer perspective but also in a somewhat critical period of life. Never, ever, ever shows how existentially gripping it is to see the window closing, and still tell yourself that it is the right thing to do. The novel gets very close on a childless everyday life and future. MORGENBLADET Linn Strømsborg awakens awareness about our family expectations. Her prose is pleasant and touching. KLASSEKAMPENLuckily the novel does not end up being an apology for the voluntarily childless. It is rather existential. And it is good literature. The novel describes exceptionally well the uncertainty of making such a choice, both for those who ends up with a yes and those who ends up with a no. ***** FÆDRELANDSVENNENThe issue is interesting: Why do people become so stressed out over the fact that someone would not want to have children? Never, ever, ever argues that a rich life can be lived in many ways, also without reproduction. DAGSAVISENThis book becomes more a novel the further you read. It turns from a monologue to allowing other people to make the narrative vivid. And the ending is beautiful, if not to say ugly beautiful. Strømsborg has managed to give her protagonist reflections that go beyond her choosing not to have children because there are many bars to visit and festivals to attend. There are also other interesting things to do with your life. Never, ever, ever is also a novel about the importance of friendship, and the acceptance for the choices of your friends - and not getting the same level of acceptance back from the rest of society. It is all heartfelt, tender and important. *****BOK365

Explores the challenges of not wanting children as an adult woman
Rights soldSold to 11 territories
The Mannequin Murder
Literature and Fiction2019 · 128 pp

The Mannequin Murder

Ingvild Schade

The Mannequin Murder is a fascinating and dramatic account from the literary talent Ingvild Schade. It is a beautiful and painful, burlesque and grotesque novel with unexpected twists and turns. Reviewers have compared Schade with Kurt Vonnegut, Mikhail Bulgakov and John Kennedy Toole. Karsten is a meticulous and gaping young boy living in a normal Norwegian family. His father is a doctor and his mother is an English teacher, and his little sister is still in sagging diapers. All objects and events, big or small are subject to Karsten’s intense interest and exploration – whether he is holding a lengthy lecture on the history of stones or gutting a fish for his family’s Tuesday dinner. In the scree behind the stone villa where Karsten lives, seven neighbourhood boys roll loose rocks and point their fingers at him like guns. Lately they have sent him threatening letters signed the ‘The Enemy’. However, Karsten has other things on his mind: In the compost, he has discovered the bloody corpse of a mannequin, and thus he is in full swing interrogating witnesses and filming a dramatization of the murder mystery, with his mother acting in the role of the bloody murder victim. Suddenly one morning Karsten’s father asks him to say goodbye to his childhood home. An overnight bag is packed, and his father says they are leaving for a trip – and everything is set into motion. REVIEWSIngvild Schade is in the process of creating her own literary subgenre.MORGENBLADET The protagonist of Ingvild Schade's delirious new novel has a lot in common with both Patrick Bateman and Holden Caufield. (…) With The Mannequin Murder she confirms her role as a writer who seems totally independent from the current beat and tone of Norwegian literature.DAGENS NÆRINGSLIV To master style in this way is unusual and sorely needed (…) This is a prose cornucopia, a linguistic calorie bomb. You have to read Ingvild Schade. And she needs to write more. Just a friendly suggestion. KLASSEKAMPEN Ingvild Schade follows in the footsteps of Tarjei Vesaas and Ingvar Ambjørnsen, but with a more extreme linguistic skill than them. (…) Ingvild Schade appears as a daring and energetic storyteller. AFTENPOSTEN Breathe in; put away your cell phone and stick to the text, and you are in for an entertaining and peculiar read. The Mannequin Murder delights me, and is so far this year’s greatest literary surprise. DAG OG TID

Rights soldSold to Canada and Denmark
Lost Tales From the Woods
Literature and Fiction2019 · 272 pp

Lost Tales From the Woods

Britt Karin Larsen

Deep in the woods, a woman is sitting by herself in a cabin. She's trying to write the story of her life, but memories of her past keep pushing their way in and leaving her lost for words. Instead, the woman heads out into the forest. She takes long walks and is constantly drawn towards some burnt-out ruins on the outskirts of the little village. Who was the man who lived in this house? And what connection does his story have with hers? The woman searches for answers, and slowly uncovers secrets that have long been buried. Britt Karin Larsen returns with a strong and engaging novel about yearning for closeness and belonging, about things that are kept hidden, and about the necessity of telling one's own story.

The Blood in the Head
Literature and Fiction2019 · 80 pp

The Blood in the Head

Sindre Andersen

The blood in the head is our thoughts, in a human understanding. It is a part of our vulnerable physical organism, but also a precondition for our rationality, what separates us from the mechanical and animal. Like the humans surrounding us the thoughts are our salvation and curse. The combinations of wordsare not enough,they are only pointing out of the head,or is it inWish thatI could master shapes and coloursThen I could really see and understandSindre Andersens poems are full of humour and nerves, portraying man as a thinking and social being, about language as limitation and solace.

Echoes of the City - The Shadow Book
Literature and Fiction2019 · 544 pp

Echoes of the City - The Shadow Book

Lars Saabye Christensen

Lars Saabye Christensen has put his ear to the conch of the city and listened to the sound within. With finely tuned sensitivity he listens to every detail. He sees the light casting a shadow one way as the sun is setting over the city that was, and the other way over a city waking up to a new time. Inevitably the question arises: Whom are we who are living in this city, this country and this time - and who will we become? At the centre of the third part of Echoes of the City we find Maj Kristoffersen. Her destiny is intimately interwoven with Oslo and its streets; but not as much as the people she shares the city with. First and foremost her children Jesper and Stine, as well as her fellow women of the Red Cross, the invisible social backbone of Fagerborg borough. The children are grown up and times are changing. Hopes and dreams are challenged by a world no longer on track. Growing pains affect them all as new doors open and the old ones close. ‘It is gripping, in some passages glittering. And only a reader with a heart of steel could fail to be deeply moved…’DAGBLADET ‘Lars Saabye Christensen allows himself digressions and diversions in the last novel in his Oslo trilogy Echoes of the City. This sets the three-volume work slightly off-kilter. Just what it takes to make the trilogy necessary. Yes, necessary.’NRK ‘The author serves up metaphors and images that will make the reader cheer.’FÆDRELANDSVENNEN ‘The Shadow Book is a very powerful novel, which stays with you for a long time. And yes, it is a bit funny too.’ADRESSEAVISEN ‘… an emotional roller-coaster’ VG ‘With The Shadow Book, Lars Saabye Christensen has concluded his trilogy in a way that ensures Echoes of the City will stand as a masterpiece in the oeuvre of this soon-to-be 66-year-old Oslo man.’ BOK 365 6/6 ‘Echoes of the City is a vast monument to the past and the present day. …it works, the whole thing. Echoes of the City – The Shadow Book is a brilliant conclusion to the trilogy about Oslo and Norway in the decades after the war.’DAGSAVISEN ‘Lars Saabye Christensen writes warming literature of reminiscence, full of linguistic treats.’ AFTENPOSTEN

Rights soldSold to 3 territories
Circus
UpLit / Literature and Fiction2019 · 320 pp

Circus

Magne Hovden

Funny, elegant and entertaining novel about a traveling circus and a woman's fateful choice. A cynical, self-centered businesswoman inherits a circus and sets out on a journey that introduces her to a world of traditions, dedication and camaraderie that gradually causes her to reevaluate how she'll spend the rest of her life.Sold to Germany, Italy, France and Estonia before it was launched in Norway!Hovden has succeeded in writing a colourful, satirical and catchy novel.DAGBLADETSend in the Clowns! ‘"I would rather shovel Elephant muck!" seems to be the moral of this cross over between Jonas Jonasson’s The Hundred Year Old Who Climed out the Window and Wall Street. In other words likeable and well written entertainment.’STAVANGER AFTENBLAD

Rights soldSold to 4 territories
CUT PIECE
Literature and Fiction2019 · 224 pp

CUT PIECE

Hedda Robertsen

Three stories, one novel: A young woman travels to France following the breakdown of a relationship. Lydia, an artist, is preparing for her first exhibition and falls in love with a married art critic. Consuela gets breast cancer and decides to seek out her former lover. These stories are woven together in an essay-like, personal and poetic investigation of the body's limits, and the cost of letting go of someone close to you.

You say, I say
Literature and Fiction2019 · 152 pp

You say, I say

Kaia Linnea Dahle Nyhus

I say the air is bad.I say that I want to air.Just for a few minutes.Cross draft in both rooms.You say You want coke. I say that the Pepsi has been left for at least two days. I say that I can not remember opening it. Maybe a week?You say that we can try.We unscrew the cork and listen to it fizz.You can never know. I say that I want some too. In this book we meet a young couple. They share their everyday life, talk to each other, meet each others language. With each their own voice they build what will be their common story.

The Echo of a Friend
Literature and Fiction2019 · 320 pp

The Echo of a Friend

Ingvar Ambjørnsen

Elling is finally back, as vulnerable and funny as ever. He has moved into a basement apartment in Oslo, renting from the widow Annelore Frimann-Clausen. This is Ingvar Ambjørnsen´s fifth book about Elling, and it continues to build on the strong narrative from the previous books. The new book is a beautiful and gripping story about a lonely human being, a story that many can relate to. 'What a comeback!Echo of a Friend is a genuinely funny book, offering a lovely row of shining comic episodes. But just under the cheerful surface there is a tender nerve of something different. For The Echo of a Friend is maybe first and foremost a novel about great and bottomless loneliness. Even if Ambjørnsen manages to add a feeling of redemption to the story, there is no doubt that this story is quite terrible. And terribly good, as well.'VG ****** 'Of course this is a real Elling novel. But the backdrop that Ambjørnsen has drawn up for us also contains deep and striking comments on society of today – you can by all means call it humoristic satire – but Echo of a Friend has a deeper and more serious undertone, describing some of the most pronounced contemporary features of our time.'DAGBLADET ***** 'Elling is back. Almost just as funny, and quite as sad – but even lonelier.The recognition of what Elling is struggling with, finding his place in the world and a dignity in his own life, make Echo of a Friend not only relevant, but yes – important.'ADRESSEAVISA 'Ruthlessly honest return of Elling.The return of now 20 years older Elling in Ingvar Ambjørnsen´s Echo of a Friend is sad, melancholy and at the same time invigoratingly humoristic. As a novel it is a recognizable Ambjørnsen landscape, smartly delivered with a sense for precession and dark humour. It is not an exaggeration to say that Ambjørnsen was at his very best with his books about the lonely, dysfunctional and at times crazy Elling. And he shows us again, 20 years later that he is at the same level. It is a joy to read this new novel.'DAGSAVISEN 'Ingvar Ambjørnsen is back with a new book about Elling – 20 years later. This is a reunion that you do not want to miss.Ingvar Ambjørnsen is back with a new book about Elling – 20 years later. This is a reunion that you do not want to miss. Reading this book on the tram might lead to spontaneous laughter behind the book covers, making you feel a bit like Elling yourself. This is the strength of this author. In a seemingly relaxed way he illuminates the pages with different perspectives of our time, with Elling as a modern day and anxiety filled fairytale hero. We are all Elling. We are all a bit weird. This is the thing that adds depth and nerve to the stories about Elling. Like always, the writing is great. Great images, excellent rhythm and not a single loose sentence. He is light at hand, and builds sentences the way Elling changes moods. When they are good, they are tight and snappy. This book, like they say, brings joy to both old and new readers. I can not wait for the next book, because now Ambjørnsen is on a roll – and so is Elling.'AFTENPOSTEN

Rights soldSold to Norway
A Short Eternity
Literature and Fiction / Mystery and Crime2019 · 368 pp

A Short Eternity

Eystein Hanssen

A brutal and spectacular crimewave hits Norway. The professionalism of the crimes and the lack of evidence make it almost impossible for the police to pursue the culprits. Detective Elli Rathke needs to use all of her wits and eventually finds a connection to the Yugoslav civil war and a feared war criminal. Elli and her colleagues have to travel to present-day Sarajevo, a city where the wounds of the past are still wide open.