Vigdis Hjorth
Ingeborg is a middle-aged, unadventurous librarian who lives in small town in Norway. Her husband is dead, and her son has moved out and lost touch with his mother. On a trip to Cuba, she allows herself to be charmed by a black man, a musician who sings and plays the drums in the hotel garden. He is black and poor, but a clever man. She is white and well off, but alone. Norway's satiated consumer society is contrasted with the bankrupt Cuba in this politically aware, searching novel about the fragile balance between people – and about a woman's relationships with her son and with her lover. Vigdis Hjorth writes about being a woman now. She examines the roles of women with a critical eye, from every perspective and without flinching from dangerous and unpleasant issues. She is knowledgeable, has a probing intellect – and a sense of humour!
Karin Fossum
Ida is looking forward to her tenth birthday when she gets on her brand new bike and sets off to buy sweets. She should be back within half an hour but she never returns. Her mother, frantic with worry, calls the shop, friends and family but no one has seen her daughter. As relatives reach breaking point and the media circus begins, Inspector Sejer is calm and reassuring, but inside he is worried: missing children are normally found within forty-eight hours. Ida seems to have vanished without a trace. This is the sixth book about Inspector Sejer. Her most cunning tale yet.DAILY EXPRESS An intelligent author who delivers more than a smart plot by way of psychological insight and clear-eyed characterisation.DAILY MAIL There is no room for debate: the most important female writer of foreign crime fiction at work today is the Norwegian Karin Fossum.ROUGH GUIDE TO CRIME FICTION A superb writer of psychological suspense.NEW YORK TIMES