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153 titles in the catalogue

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Operation Helena
Literature and Fiction / Mystery and Crime2012 · 304 pp

Operation Helena

Johnny Brenna / Sigbjørn Mostue

The killing of a police informer by torpedoes brings about the collapse of a prestigious heroin operation being run by Oslo police’s Special Operations Section (SO). The newly-appointed detective Axel Th.Munthe and his partner Tobben are left stranded. Shortly afterwards, fifteen-year-old Caroline Fredrikke Walters, daughter of a wealthy investor, is brutally kidnapped and raped. Instead of picking up the threads of the heroin case, the department’s resources are channelled into finding the girl before it is too late. The case brings Axel into contact with the darkest sides of Norwegian society, where international crime syndicates are are already spreading their tentacles. It makes for a tough introduction to the world of human depravity, but there is light in the form of Noor, a woman Axel feels may be the right one for him. ‘Sigbjørn Mostue and Jonny Brenna have joined forces and written a disturbing thriller set in the criminal world in the capital.’ Oppland Arbeiderblad ‘Sigbjørn Mostue and Johnny Brenna impress with a well-constructed plot and a wealth of detail in their first work of crime fiction. (...) Dense, realistic tale of investigating crime in Oslo’s underworld.’ Dagbladet ‘Operasjon Helena is fantastic. So well written and so exciting I almost stopped breathing!’ Liv Gade, Bokinspirator‘Narcotics, organised crime, mutilation, honey traps; all feature in an ice-cold overview of the everyday reality of police work in Oslo that is the starting point for an action-driven and quite cynical narrative.’ VG ‘A successful debut!’ Kulturspeilet ‘The plot in Operasjon Helena and the account of the on-going police work are the most realistic seen in Norwegian crime fiction for a long time. And it feels good to be able to welcome a protagonist who doesn’t struggle with alcohol problems and who likes being a team player together with his police colleagues.’ Trønder-Avisa

12…678…1213
The Word For What I Am Now Does Not Exist
Literature and Fiction2012 · 184 pp

The Word For What I Am Now Does Not Exist

Rannveig Fern Leite Molven

... I don't want to carry on, I don't want to move further and further away from what was, from you, I hate every new day that dawns and fades, every day that wedges itself in and separates us more and more, every day that adds to the space between where you were and where I am now. An assured and stylish first novel about loss, grief and remembering, and about how death changes the one who is left behind.

Chasm
Literature and Fiction2012 · 416 pp

Chasm

Lars Saabye Christensen

A big new novel by Lars Saabye Christensen: it contains brilliant stories from a summer in Oslo in the 60s and a nightmarish period spent in Karmack, a small North American town. The link is Funder, the protagonist, whose loyalty is tested when, at the age of fifteen, he stays alone with his mother (and, on and off, four aunts) for a summer spent in a house on Nesodden near Oslo. In the second half of the novel, Funder is admitted for treatment to an institution in the United States. By then, he is almost sixty years old, his father has just died and his mother is on her deathbed. Funder, who has become an author, is far from happy. Sluk is a sharp and entertaining novel which is consistent with the author's earlier work but also shows new sides to his talent. ‘I have rarely read a more poetical, elegant and original biography of an author. It is entertaining as well – and with an epilogue so intense, heavy with existence, authentic and beautiful that it simply knocks me out.’Dagbladet ‘Sluk is a novel based on equal parts of poetic aggression and the joy of story-telling. An autobiographical novel which you cannot possibly be unaffected by.’VG ‘A master of repetition … Lars Saabye Christensen presents an offer Norwegian book lovers cannot refuse. It starts as an echo and ends as an unbeatable masterpiece.’Aftenposten ‘… one of the best novels from Christensen.’Bergens Tidende‘… a beautiful homage to the housewives of the sixties, and a sort of wrapped reminder of what actually means something in this world … a successful novel, and an especially beautiful depiction of a mother’s love.’Dagsavisen ‘… simply brilliant.’Vårt Land ‘A tender, sad and beautiful book about death, guilt and reconciliation. … Possibly his strongest and best book since The Half Brother.’Adresseavisen ‘This book can be understood in so many different ways and offers such an exceptional reading experience which this reader, for one, would not have missed.’Trønder-Avisa (6 points out of 6) ‘The new novel, Sluk, more than measures up to our expectations. The author is even better than before.’NRK P2

Rights soldSold to 6 territories
Stasia
Literature and Fiction2012 · 176 pp

Stasia

Peter Franziskus Strassegger

A novel about Armin and Stasia who are uncared-for siblings leading rootless lives. Their parents are always on the move, running some kind of business venture in Europe. One day, they turn up to get their children who have been staying with their Norwegian grandmother; together, they travel from one country to the next, living almost like a circus family. Their story is told from Armin's point of view, but he expresses himself above all in terms of his fantasy life. The tougher the outside reality becomes, the more uneasy Armin feels about staying inside his dream world. He has a strong bond with his sister, who is the firm centre of his life. When she suddenly vanishes one day, Armin finds it increasingly difficult to keep reality and imagination apart. The portrait of this unconventional family and their restless existence creates an enclosed world. It is an emotionally charged but also objective narrative about children growing up in circumstances which may seem extreme but are not without ordinary features. A grim novel about a lost child and his experience of reality. The language is simple and absurdly funny. ‘…extraordinary, inventive and consuming.’Dagbladet‘… stylish and thought provoking by a debutant who knows what he is doing.’Stavanger Aftenblad

This Sweet Life
Literature and Fiction2011 · 432 pp

This Sweet Life

Siri Østli

Mari, Charlotte and Irmela are growing up in a small place called Barkestad. They are best friends and share everything – until Charlotte and Irmela have one of these juvenile rows and it ruins their relationship. A few years later, they all meet in Oslo's bohemian Grünerløkka quarter; Mari tries bravely to mediate between the friends, even though she has her own issues to deal with. So have all three of them, in fact. Mari, who is coping with post-natal depression, finds a note on the kitchen table. It's written by her beloved Peter, who has moved out and left her alone with nearly-new-born Lilja in an old, draughty house with the cellar stocked with fine wines. Irmela, impulsive as ever, has run away from her church wedding, right in the middle of the ceremony. And now she worries about whether she's married or not. Charlotte, who is goal-oriented, wants just two things: a permanent job as a journalist and the status of a fashion icon. But first she simply must help Mari to sort out her life and make Irmela realise that somewhere, her husband is waiting for her.

Fvonk
Literature and Fiction2011 · 176 pp

Fvonk

Erlend Loe

Just as Fvonk is contemplating life in general, a large, shiny, very clean car of a German make glides up the drive and stops without cutting the engine. It is black, has darkened windows and looks official. Fvonk resents all interference by the authorities and this one in particular. A few seconds later, the rear door on the right opens and a woman in her fifties climbs out. Irritatingly, the door makes a hollow, thumping noise – boom, boom, boom – a signal alerting everyone to the fact that it is open. The woman slams the door and checks her surroundings, making sure that she isn't observed by anyone except Fvonk. But there are just the two of them present – this woman and Fvonk. At the time when the Norway Hiking & Exercise Association was going through a rough patch, Fvonk was an employee. He can testify to the financial mess. Fvonk is deeply uninterested in culture. Then a lodger moves into his place, but not a Nobody. On the contrary, quite a Somebody. As it happens, his name is Jens and, as it happens, he is the Prime Minister. ‘With a bubbling joy of telling a story Erlend Loe creates a room where the country’s most powerful man can finally be himself. … Fvonk is first and foremost a highly entertaining book about a friendship out of the ordinary.’Vårt Land ‘Loe creates several entertaining situations with this cartoonish universe. Both on and between the lines a clear critique of The Norwegian Social Democracy’s ways of understanding and behavior can be found.’VG ‘Like most of Erlend Loe’s books, this too is a light read, light philosophy, lightly consummated. But it is not necessarily simple as a result. Because if you liked Naiv.Super. or Tatt av kvinnen, you will like this one too.’Sandefjords Blad ‘It is hard to imagine why Jens Stoltenberg felt offended by Loe’s story, because it is sensitive, sympathetic and wonderfully naïve, in best Loe style. The narrative is a stream of consciousness – often, stretching over entire pages as thoughts, separated only by commas, are reeled off at a headlong pace. It gives the novel and its language an authentic and overflowing tone that suits the two protagonists.’ Jyllands-Posten, DK ‘Laugh and have your heartstrings tugged by Erlend Loe’s new novel about Fvonk … Fvonk is filled with warmth, craziness and tiny, precise detail; it is one of the kind of stories that one swallows whole in a great gulp, despite its mad, unbelievable plot.’ Weekendavisen, DK ‘A true Loe book.’ Elle, DK ‘Yet another funny novel by Loe about the role-playing we do in our daily lives and about the need to be oneself that goes along with it, despite everything – also, one hopes, true of the powerful in the land.’ Politiken, DK ‘Erlend Loe has got a grip on both the Prime Minister and ordinary people in his ironically affectionate novel full of social criticism. Behind the power there is always a human being. Behind every book there is an author. Erlend Loe is one of those able to see through all the trappings in a way that elicits both smiles and tears, but never a malicious laugh. Which is very well done.’ Fyens Stiftstidende, DK

Rights soldSold to 8 territories
Through the Night
Literature and Fiction2011 · 272 pp

Through the Night

Stig Sæterbakken

Dentist Karl Meyer's worst nightmare comes true when his son, Ole-Jakob, takes his own life. This tragedy forms the springboard for a complex and diverse novel, which asks essential questions about human experience. What does sorrow do to a person? How can one live with the pain of unbearable loss? How far will a man be driven by the grief and despair surrounding the loss of his child? Gjennom natten is a dark story, drawing on elements from dreams, fairy-tales and horror stories, as it explores the mysterious ways of sorrow and love. ‘Stig Sæterbakken’s novel Gjennom natten must be one of this year’s most fabulous ones – in the fabulous books’ darkest, most heart-rending way.’Vårt Land ‘Stig Sæterbakken’s first paragraph in the novel Gjennom natten is a brilliant start to a black and heart-breaking journey in mourning.’VG ‘Garanteed one of this year’s best novels … This is Sæterbakken at his best, and Norwegian literature doesn’t get much better than this.’Adresseavisen ‘… a language which makes you hold your breath in the right places, and chase from side to side, from room to room, as if in a suspense novel.’Aftenposten ‘Stig Sæterbakken sounds deeper than most writers, and with Gjennom natten he has added a new dark, painful and artistically successful novel to his authorship.’Stavanger Aftenblad ‘An almost inapproachable theme, which writer Stig Sæterbakken circles in in a way which can be called a literary feat of strength.'Dagsavisen ‘A black, merciless masterpiece from Stig Sæterbakken … It is painful, but also rewarding to read, first and foremost because Sæterbakken writes extremely well. The language never becomes a shield or a filter, to the contrary, it drills into the darkness, with a precision and ingenuity in the use of images which paradoxically feels like a relief.’Dagbladet ‘This novel by Stig Sæterbakken is strong and fine and deadly serious, en ambitious, excellent narrative in a stylish and simple, but effective language.’ Dag og Tid ‘Sæterbakken writes about the labyrinth of sorrow and does it beautifully.’ Gudbrandsdølen Dagningen ‘As the novel moves on to take place in that house, you know the one, in Bratislava, you really feel as if the entire experience of reading vanished into the night. You can’t quite work out what is going on, but your spine is tingling with anxiety.’ Bergens Tidende ‘You do know the feeling, don’t you? Wishing that the book would never end? Your attempts to hold back to make reading last, not read too much in one go? Such books are rare. But Stig Sæterbakken’s latest novel Gjennom natten is one of these.' Fædrelandsvennen

Rights soldSold to 8 territories
Helmer's Journey, 1979
Literature and Fiction2011 · 192 pp

Helmer's Journey, 1979

Geir Olav Jørgensen

“Doing casual work had made him learn how to be a fixer. As he moved about, he liked striking bargains, spruce himself up and catch any chances that came his way. He bartered goods against jobs, and job against goods, or, indeed, goods against goods and jobs against jobs. Wheeling and dealing created movement, life. It was his way of playing.” Helmer, the vagabond, is a man with a keen eye for both women and cosmos. One warm evening in June 1979, he said goodbye to his girlfriend, Judith. His plan was to work in a hippie-style collective, where he has been before. He drives off across the mountain at night. At first, the journey looks like a promising road movie. But life turns out different: he is taken on a dark odyssey and soon Helmer’s soul is at stake. "A man wipped out of his inner self. This is effectivelly portayed. Both deceitful and honest."VÅRT LAND"An original and engaging tale."VG

I Can See in the Dark
Literature and Fiction / Mystery and Crime2011 · 224 pp

I Can See in the Dark

Karin Fossum

Riktor is the protagonist in Karin Fossum's new crime novel. He has worked for many years in the Løkka nursing home and seems to be normal, quiet and polite. He is often left on his own to manage patients with many and complex care needs. He torments them at every opportunity – pinches the skin at the back of their necks, pulls their hair. Medication that might have soothed their pain is poured down the loo and syringe contents injected into the mattress. Riktor is, simply, the «Nurse from Hell». He is a loner, but when he encounters Arnfinn, a man with a severe alcohol problem, a kind of friendship grows between them. Then, one day, Riktor comes across Arnfinn extracting money from his wallet. That's the end of Arnfinn: Riktor kills him unhesitatingly. A few days later, DI Randers turns up and charges Riktor with the murder of one of the elderly patients in the nursing home and locks him up for a crime he didn't commit. The tension and suspense of the narrative are as much related to the insight into Riktor's dark mind, as to the case against him. Will he be found innocent of the old lady's murder? Will he be charged with killing Arnfinn? ‘Karin Fossum deserves great praise for her stringent language and impressive psychological insight in her new, dark novel.’NRK ‘The language in itself makes her new book worth reading. … Fossum's sentences are vivid and crystal clear, free of redundancies, and in this novel they come with a rhythm which seems to be perfectly in tune with the content.’DAGBLADET ‘A story in which the reader is driven forth by intensity and the unmatched mastery of language.’DAGSAVISEN ‘By making the “I” of the story its narrator, the author has created a difficulty for herself which demands a firm grip and all-round control. Fossum has what is needed, together with chiselled, brisk and very persuasive language with many facets and nuances.’ VG ‘She challenges, entertains and frightens you. Karin Fossum’s writing is exceptionally good. The protagonists have an intense presence and she somehow “paints” people’s stranger sides.’ TRØNDERAVISA ‘Karin Fossum’s shows her mastery at two levels. Her language is outstandingly precise and varied. It never tends toward grand, metaphorical. Also, there is her insight into the unknown, sometimes murky depths of the human mind, as for instance Ricktor’s - a leading character.' TØNSBERGS BLAD ‘The book is written in a poetic, vivid language. It is exciting despite not being crime fiction in the usual sense of the word. The story is tense and from time to time unsettling for the reader but it is impossible to put it down (…) I predict that Karin Fossum will be awarded several prizes soon.’ OPPLAND ARBEIDERBLAD ‘Karin Fossum has delivered the goods again and written a brilliant crime novel.’ TELEMARKAVISA

Rights soldSold to 10 territories
Don't Ever Come Closer
Literature and Fiction2011 · 232 pp

Don't Ever Come Closer

Sondre Midthun

Kom aldri nærmere begins on a summer's day: on holiday in the family cabin, the father drowns his son's dog in the pond. A child's perspective on life changes as a family and a friendship slowly approach their dissolution. How to restore what has been ruined? What are the limits of desperation and longing for a young boy? The son will remember the fatal moments near the cabin for ever – seven years later, he returns to the place to confront his father at last. Kom aldri nærmere is a novel that deals with devastating changes and their side-effects, as they happen. It is about loss, grief and a tormented father's all-encompassing anguish. ‘This is a nerve-wracking novel which is hard to put down.’Avisa Nordland‘One of this autumn’s strongest [literary débuts] … Midthun writes with a sensitive and controlled language, and with a distance which keeps the content from being suffocating.’Dagbladet‘Kom aldri nærmere is a mature literary début. Midthun has a light and steady pen, the story is told in a quiet and straight-forward tone, which suits the content well.’Adresseavisen‘…what distinguishes Kom aldri nærmere from ordinary books is a crystal clear language. Midthun always resists the temptation to exaggerate the use of words. The dramas are played out at a natural pace, and are told in a sober way through the young boy’s eyes and ability to observe. … Sondre Midthun makes his debut with a classical story that hurts.’Aftenposten‘What makes the novel good is not its originality, but its weight and consistency. The author has followed his thoughts all the way through, the painful ones too.’Dag og TId‘Extremely strong – with so much insight into the incredible ways of life – from such a young author.Gjengangeren‘This is a book which disturbes and moves the reader!’Porsgrunns Dagblad‘Midthun writes with empathy, in pure style and credible, when he explores the consequences of aggression in the home, and how the fear of it can impact a child from one day to the other.’Universitas

My Danish Album
Literature and Fiction2011

My Danish Album

Lars Saabye Christensen

Lars Saabye Christensen has always had a special feeling for Copenhagen, his now deceased Danish father being the essential link. Mitt danske album is a collection of poetry and prose about the author's exploration of himself, his family and the city. It is beautifully illustrated with family photographs and contains a section in which his father, Mogens Hjort Christensen, the Copenhagen lad who grew up to be an architect, tells us about his childhood. And about the family trip by car through Sweden to Denmark, when little Lars kept clutching his small blue suitcase in his arms, while big brother calls him a loser. «A charming little book of remembrance ... a loving, redemptive portrait of a father and a relaxed, amusing history of his family through three generations.» From the review in Politiken, when Mitt danske album was published in Denmark this spring. It was enthusiastically received.

Satellite People
Literature and Fiction / Mystery and Crime2011 · 320 pp

Satellite People

Hans Olav Lahlum

The date is 10th May 1969, a Saturday. DSI Kolbjørn “K2” Kristiansen is in his Oslo office when he receives a phone call from Ferdinand Schjelderup, the legendary multi-millionaire and resistance fighter. Schjelderup wants to see DSI Kristiansen about a family matter: one of his nearest and dearest is planning to kill him. Before the meeting takes place, Schjelderup collapses and dies during a Sunday dinner, at which ten members of his circle are present. The powerful, much disliked patriarch has been poisoned and the murderer sat at his dining table. Exactly on which seat is the question that drives this thrilling crime story. The plot thickens, as one mysterious letter after another warns of further deaths among the guests at Ferdinand Schjelderup's last meal. DSI Kristiansen needs help and he seeks it from his secret consultant, professor Borchmann's part-paralysed, witty daughter Patricia Louise I. E. Borchmann. Hans Olav Lahlum's Satellittmenneskene is in the classical mould of crime fiction – as close as possible for a book published in 2011. Satellittmenneskene is a thought-provoking, engaging novel about characters whose lives were part of an important period of modern Norwegian history. ‘Refreshingly old-fashioned and genial … Satellittmenneskene is impossible to put down. It contains a forceful drive and demands the reader’s full attention, because here there is a lot to keep straight. Bulls eye once again.’Six out of sixOppland Arbeiderblad‘Thorough retro crime fiction … If you like the classical crime novel as it was created by Arthur Conan Doyle and Agatha Christie, you should immediately go and buy Hans Olav Lahlum’s Satellittmenneskene.’Dagbladet‘Here is style. Lahlum puts his own finger print on this work, as he did with his previous novel. We are talking “Lahlumian” here. There is no one like him. Dealing with such a particular pen is so liberating. And with a mysterious plot, carefully constructed, and delightfully free of unneccessarily detailed voilence.’VG Rights sold to: PORTUGAL (ASA II Edições - Grupo Leya), GREECE (Fantastikos Kosmos Publications), KOREA (Kugil Publishing, Co., Ltd), GREAT BRITAIN (Mantle /Pan MacMillan).

Rights soldSold to 7 territories