Stig Aasvik
The narrator – or is it the author Stig Aasvik? – is in a desperate situation: He has been asked at short notice to step in as a substitute teacher at the writing academy in Bø. There, our bewildered protagonist immediately enters into a scandalous relationship with a young student. All hell breaks loose, with everything being jeopardised at once. Sandefjord Girls’ Choir is the seventh novel in a series where we encounter various iterations or versions of the author himself. We travel seamlessly through time, and with text written like a stream of consciousness, the series has evolved into a kind of magical realism.

Ingvar Ambjørnsen
Ingvar Ambjørnsen is a major voice in contemporary Norwegian literature, renowned for his unflinching portrayals of marginalised individuals and his sharp social commentary.He is one of the grand masters of the short story, often employing a concise, unsentimental style to deliver powerful, resonant narratives exploring themes such as alienation, identity, and the search for meaning in a fragmented world. With The Sorrow in St. Peter-Ording, we are presented with seven new, dark and atmospheric short stories. In one story, two teenage boys—friends and birdwatchers—stumble upon a cabin with an open door. What begins as a night of adventure with beer, porn magazines, and other “treasures” takes a chilling turn. The ending is shocking—there’s a gruesome reason why the cabin’s owners won’t be returning that night. In another, a man takes the ferry Color Magic to Kiel. Memories from the past come flooding back, including one of a previous ferry trip where he and his girlfriend received an unexpected erotic invitation from another couple. Suddenly, the power goes out. The sound he hears is unlike anything he’s ever heard. The ferry hits bottom. He moves through the belly of the sinking vessel—again, an unlocked door, an open door—and inside, on a narrow bed, sits a crying woman with long hair.