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Will and Testament
Literature and Fiction2016 · 352 pp

Will and Testament

Vigdis Hjorth

Vigdis Hjorth's new novel starts as a classic story of inheritance, centred on two summer cabins on Hvaler. Two children have been looking after the place and their parents for many years. They are due to inherit the cabins. But there are two other children, who have partly broken away from the family. How do they fit into the inheritance dispute? During the inheritance discussions another story emerges which brings violent forces into play. It's all about family history. Will and Testament is a powerful novel, which certainly created great debate when it was first published in 2016. WINNER OF THE NORWEGIAN BOOK SELLERS AWARD AND THE NORWEGIAN CRITICS AWARD IN 2016. LONGLISTED FOR THE US NATIONAL BOOK AWARD FOR TRANSLATED LITERATURE IN 2019 NOMINATED TO THE NORDIC COUNCILS LITERATURE PRIZE 2016. Press reviews Abroad: Will and Testament is a compulsively readable novel, one that turns questions of shame into weapons against silence.Paris Review Hypnotic.New York Times Book Review Like Knausgaard, Hjorth is writing against repression, against the taboo on telling things as they really are. But he urges us to look at dead bodies; she forces us to regard bleeding souls. Hjorth seems to have formulated from her experiments with living models a model for living, in which exposure—of the self and of others—serves a larger purpose.New Yorker Hjorth’s thoughtful, drily funny, and often devastating novel will leave a deep and lasting impression on readers.Publishers Weekly Will and Testament is a reminder that it’s easier to hide darkness than face it ... Hjorth argues cogently that conflicts and atrocities often stem from what a nation represses or denies.Observer In a ruthless yet patiently delivered work, Hjorth does something that few writers achieve: Will and Testament is both economical and overwhelming.Financial Times An extraordinary book. ... Hjorth’s precision, on the other hand, becomes a quietly devastating mimicry of the effects of trauma, and of ambiguous and conflicting memories, on a human being.New StatesmanIn this unappealing but compelling book, Hjorth proves brilliant at revealing the stubborn, unredemptive quality of childhood suffering.THE GUARDIANDevastating.FRIEZEThe strength of the novel lies in Bergljot’s convincing and continuing vulnerability, in her mixed feelings and her flaws … A clear-eyed and convincing story of a family’s doomed attempt to reconcile and the limits of forgiveness.KIRKUS Vigdis Hjorth is one of my favorite contemporary writers.SHEILA HETI, AUTHOR OF MOTHERHOOD AND HOW SHOULD A PERSON BE? [...] a story that reads at once as a juicy diary and as a chillingly astute psychological portrait of a dysfunctional family.THE ATLANTICPress reviews from Norway: Only Vigdis Hjorth is able to handle a serious topic in such a strong, intelligent and poetic way.DAGBLADETVigdis Hjorth has written her best novel; about a sexual assault that destroys all the relationships in a family… Vigdis Hjorth writes about the conflicts that build up in an authentic, everyday language - but something quivers between the lines. There is an energy, a level of suspense in the story that only exists when something is really at stake.ADRESSEAVISEN The way Vigdis Hjorth writes takes us straight into the lives and life choices that most people recognize around us and within us. VG Vigdis Hjorth’s new novel is furious and wise, trembling and stringent. NRK Hjorth dispenses secrets with Ibsen-like precision, so that the level of suspense is maintained up to the very last of the 343 pages.AFTENPOSTENVigdis Horth’s new novel, about heritage and the guilt in all words’ meaning, is abhorrent. But good… “Will and Testament” is a hopeless book about a desperate yearning for justice. Definitely interesting, extremely well written, and with well-portioned suspense. But dark, without the humorous oblique glance that tends to be Hjorth’s trademark. “I didn’t know how it was to be a healthy person, an unharmed person, I had no experience other than my own."DAGSAVISEN Press Reviews Scandinavia: Thematically really interesting. Psychologically believable and contesting.WEEKENDAVISEN, DenmarkVigdis Hjorths outstanding and trembling novel about a family settlement is not the story about money. It is a story about feelings and family dynamics. *****POLITIKEN, Denmark One of the good angles of the book is that Bergljot, despite being a victim, is not depicted as an angel. *****BERLINGSKE TIDENDE, Denmark Wills and Testaments could have been a heavy and sorrowful book, but that is not the way Hjorth writes. Paradoxically it is actually quite funny, for Vigdis Hjorth never lets her characters off easy. And Bergljot is not a person that treads elegantly into the room.*****KRISTELIG DAGBLAD, DenmarkWill and testament is a very strong and thought provoking story about a person that has to give up reconciliation to save herself.*****NORDJYSKE, DenmarkWill and Testament is a continuously engaging novel that can’t be forgotten once you’ve read it. It could be described as an explosion – but a completely controlled one. It continues to ache within the reader, like when an irrefutable and heartrending experience has been fully formed.SYDSVENSKAN, Sweden When I closed Norwegian Vigdis Hjorth’s novel Will and Testament, I was both exhausted and elated at the same time. It’s the kind of text that leaves me feeling that this was exactly how it should have been written – with this language, in this form. /.../ And what a skilled writer she is, Vigdis Hjorth!SVENSKA DAGBLADET, Sweden It is dark and dreary, but also highly entertaining and witty. Vigdis Hjorth is a fantastic narrator with a strong sense of forward-movement and clear language, which Ninni Holmqvist has contributed to with her smooth and perceptive translation. The characters are complex; they waver, change their minds, and send mixed signals.GEFLE DAGBALD, SwedenIts strong emotional truths take hold of you immediately – even before the family secret’s consequences are made apparent: I do geared page after page to mark off insights, movements, formulations. DAGENS NYHETER, Sweden Will and Testament is an extremely well-written novel, a novel with a sort of tactile feeling – if a novel can have that. I myself scribbled in pencil in the book: painterlike, colloquial flow, feverishness, psychoanalysis, among other descriptions. Because Vigdis Hjorth works with rhythm. She has chapters that can only be two lines. She writes as if with a paintbrush when she is capturing the weather or a place.KULTURNYTT I PL, Sweden The novel, exciting as a detective story in its furious, emotional flashbacks, is a formidable showdown between an upper-class family whose exterior, reputation, possessions, symbols of wealth and lifestyle are more important than anything else.AFTONBLADET, Sweden The story’s themes of inheritance, family secrecy and the right to one’s own experiences are striking – whether they are true or not. Equally striking is Hjorth’s prose. /.../ A drama whose different characters many people can recognize themselves in, no matter which traumas – great or small – you might bear.BORÅS TIDNING, SwedenWill and Testament is primarily a novel about the inner process. Bergljot’s state of mind is illustrated with a breathless, linguistic rhythm that is deftly translated by Ninni Holmqvist. /.../ It is agonizing that life’s difficult situations can’t always be sorted out, nor can the damage be forgotten. Hjorth’s novel is truthful because it expresses why this can’t always be done. And none of the reasons can be found in the author’s biography, no matter how it might look.GÖTEBORGS-POSTEN, Sweden Will and Testament is a strong novel. But not because of sensitive revelations, but thanks to the portrait that emerges of the slightly alcoholic Bergljot. A person who practices self-taught self-therapy and who truly seems to balance on the edge of reality.ARBETARBLADET, Sweden

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Rights soldSold to 34 territories
He Who Brings About Another’s Death
Mystery and Crime2016 · 368 pp

He Who Brings About Another’s Death

Chris Tvedt

A rock musician with a previous conviction for violence but now experiencing success as a writer, is accused of the murder of his literary mentor.For old times' sake, defence attorney Mikael Brenne has taken on a case he thinks he can win, but he forgets his possibly most important guiding rule: never ask a question if you don't know the answer.The consequence is not just the loss of a case, but the loss of a life.'Death Metal, a sex murder and a curious lawyer makes a welcome addition to the Norwegian Crime Literature.' AFTENPOSTEN'Thorough and professional.' DAGBLADET 'Another hit from Chris Tvedt! The plot is well developed, with threads which are braided well together and take surprising twists. (…) an entertaining and exciting Norwegian crime novel.' BERGENS TIDENDE 'Well-crafted, confident language, a fine gallery of characters and quality throughout. A new candidate for the Riverton Prize?'LO-AKTUELT

Rights soldSold to Denmark and Ukraine
The Devil's Birthday
Literature and Fiction2016 · 440 pp

The Devil's Birthday

Ingvar Ambjørnsen

The selection in The Devils Birthday (Djevelens fødselsdag) show the width and originality of Ingvar Ambjørnsen´s short stories. Ambjørnsen´s short stories has by many critics been said to be some of his very best writing. This book was first published in 2006 and contain the collections Black Mother (Sorte mor, 1994), From Night to the Morning Darkness (Natt til mørk morgen, 1997) and Partially Present (Delvis til stede, 2003), as well as the title novel, The Devils Birthday. This new edition also contain a bonus track; The Red Dress. In Ambjørnsen´s short stories the feeling of melancholy and loneliness in the authorship comes out more clearly. We also meet, maybe surprisingly, an excellent nature writer. We also find great knowledge of the human mind, with precise dialogues and portraits of the characters. In several of the texts the playful and burlesque Ambjørnsen also let himself loose. This edition was published for Ingvar Ambjørnsens 60 year anniversary.

Rights soldSold to Denmark
A Fifth Season
Mystery and Crime2016 · 576 pp

A Fifth Season

Torkil Damhaug

Ann, Victor, Helene and Nicolai are four young friends. They like trying things out, but their exploits don't always turn out well. One of the things they should not have done was to lock a classmate in the basement of a ruined riverside factory, where there had once been a nasty accident. Soon after, two of the four youngsters are found dead, and the third has disappeared.A Fifth Season is a psychological thriller which brings the reader close to both victims and perpetrators. It is a crime novel where the reader has the opportunity to follow the investigation of abduction and murder. What happened? Who is guilty?‘Torkil Damhaug is a crime writer who is unusually assured in his form; I am unaware of any other writer who can invoke the way in which desperation lies in wait in the most everyday situations in quite the way that he does.’ VG‘Damhaug is a fantastic story­teller, who painstakingly unravels his well­composed narrative. Through dialogue, shifts in perspective and a broad spectrum of minor figures, his characters are depicted as a consequence of suppression, conflict and failure. The book is structured as a crime novel, but is also a masterfully constructed study of young people's environment in the most precariously emotional time of anyone's life, where anything can happen, for better or (in this case) worse. This book could be described as rural Norwegian crime writing with a high degree of literary ambition.’ DAGBLADET

Rights soldSold to 3 territories
Delight and Danger
Literature and Fiction2016 · 224 pp

Delight and Danger

Vigdis Hjorth

All passionate reading is unbreakably linked to the readers mind, finding what the reader has a need for to survive and understand more of themselves and the world, no less. Vigdis Hjorth says this in the foreword to this collection of essays, where she discusses books and authors that have had great meaning to her. The authors she writes about are Bertholt Brecht, Tove Ditlevsen, Knut Hamsun, Søren Kirkegaard, Virginia Woolf, Dag Solstad, Torgeir Rebolledo Pedersen and Witold Gombrowicz. Vigdis Hjorth has open and brave opinions about literature and the relationship between life and writing, looking for the great questions in her writing. Vigdis Hjorth has made a selection of good articles that she has written about literature in this book, showing that a warm, cultivated and enthusiastic human can give life and inspiration to learning in a way that machines could never copy. This is a book that takes time to read, but not because it is thick or too full of words. This is because you from time to time have to put the book down and think for a while, have some discussions with yourself about one subject or another. And after winning the discussion, brilliantly of course, you can pick the book back up and let yourself be taken further into literature, with Vigdis Hjorth as your good and wise guide.Odd W. Surén - DAG OG TID When I read Delight and Danger, I want to write more like Vigdis Hjorth. This book is an inspiring addition to the everlasting discussion about the role of literature. Toril Moi - MORGENBLADET Open, thoughtful and elegant. Vigdis Hjorth knows the art of seducing the reader without ever loosing the seriousness out of sight. The result is eleven very good texts about life and literature. Hjorth is concerned with freedom and responsibility, and in her essay about Søren Kirkegaard she weaves her personal experiences together with philosophical insight about daring to live you life outside the pressure of conformity. Vigdis Hjort´s life and literature is in this way an example to look to. The essay collection Delight and Danger remind us that literature in one way or another has to matter to the reader, if it aims at being relevant and interesting. Gro Jørstad Nilsen - BERGENS TIDENDE Essays without affectationExemplary presentation of writers.Olav Løkken Reisop - DAGBLADET Blissfully seriousThis essay collection gives good insight into Vigdis Hjorths many passionate literary relationships. The essays shows an author who has a wide register to choose from, and where the erotic is far from supreme, but jus one of many human fields that can be used to enlighten life and understanding more of the self. Turid Larsen - DAGSAVISEN

Rights soldSold to Germany
The Whisperer
Mystery and Crime2016 · 336 pp

The Whisperer

Karin Fossum

Ragna Riegel works at Europris and lives alone in her childhood home. Her parents have died and her only son has moved to Berlin, and they have no contact other than occasional Christmas and birthday cards. Ragna lives within close confines. She likes her job because it is full of routine, she likes to sit on the same seat on the bus every day and she likes to buy the same things at the local shop each day. She must have order in her life. And she does, until one day she finds a letter in her mailbox with her name on the envelope and a clear threat written in block capitals on the sheet inside. The letter reinforces a nightmare where Ragna Riegel's life is threatened by an unknown enemy and she realises that she must use all means possible to defend herself. The novel takes the form of Konrad Sejer's interrogation of Ragna Riegel after the worst has happened; after it is too late. A powerful narrative from one of the strongest voices in Norwegian crime literature. ‘Hviskeren is a novel that measures up to any literature, crime or otherwise.’ DAGBLADET ‘It is her ability to make average, often wounded human psyches crackle and glow in all the colours of the rainbow that is Fossum's forte as a writer. She has an exceptional eye for fragility and vulnerability, and the complexity and dark humour of these states of mind.’ AFTENPOSTEN

Rights soldSold to 9 territories
White Trash
Literature and Fiction2016 · 352 pp

White Trash

Ingvar Ambjørnsen

White Trash is a generous and brutal story about outsiders rebelling against the hypocritical and complacent bourgeoisie. It is also the tale of a desperate journey towards downfall. White Trash is the story of an outsider, told by one of them. Like a glowing thread through the story we find the depictions of uncompromising friendship and solidarity. The threesome Erling, Carly and Rita, childhood friends and wannabe artists, are by no means a lucky bunch. They have chosen the ecstasy and explosion as a lifestyle, and fail at any frail attempts to adapt to society.

Rights soldSold to 6 territories
None of this is about me
Literature and Fiction2016 · 192 pp

None of this is about me

Stig Sæterbakken

When Stig Sæterbakken died in 2012, he left behind a manuscript of autobiographical notes.The texts range from stylistic essay writing to slapstick humour. They give us insight into his day-to-day and family life, and describe the importance of friendship and the significance of other authorships, all in Sæterbakken’s persuasive literary form.This is a powerful testimony from one of our most important contemporary authorships. 'Even the darkest texts in the posthumous publication of Stig Sæterbakken’s notes are brightened up by the author’s joy in giving them expression.'MORGENBLADET 'A dark, amusing and beautiful conclusion to an unusually wholehearted writing career.'DAGBLADET

Rights soldSold to Denmark and Germany
The Cross
Literature and Fiction2016

The Cross

Anders Malm

Bas checks social media, sitting in Hans Brattrud's 'Scandia Senior' armchair. He reads fashion magazines, in a chair from Sven Ivar Dysthe's 1001 range. He makes love with his lover, Iso, on a sofa by Børge Mogensen. But no item of furniture makes him feel at home as much as 'Krysset,' Fredrik Kayser's armchair from 1955. After directing three very successful advertising films for Norwegian interior design classics, Bas has chosen to find fulfilment through his possessions. He finds calm, stillness and peace in the carefully planned world of designer furniture. But there comes a time when his life begins to crack: His relationship with Iso starts breaking; His body goes into decline; His things seem foreign to him. Bas loses himself and has to start building a new ‘I,' using the basic materials of skin, flesh and bone. Cohabiting with objects is no longer enough; the next step is symbiosis. Krysset is in a genre somewhere between tribute and critique. With a nod to authors such as J.G. Ballard, Georges Perec and Dag Solstad, Anders Malm has written a story about a person who doesn't see himself primarily as part of a social system, but rather as an object among other objects, in a hierarchy of things.

Rights soldSold to Norway
Clearing the Air
Literature and Fiction2016 · 112 pp

Clearing the Air

Päivi Laakso

Päivi, an artist, gets a telephone call from her mother to say that her father is on his deathbed. She hurriedly packs her bags and leaves to be with her father during his final days. The family meet in a hospital in North Finland in an attempt to clear the air and find reconciliation. Laakso takes us through their last days together, with unmistakeable rawness and unsurpassed humour.It takes exactly one hundred pages for Finnish-Norwegian Päivi Laakso to describe a life. A death in the family puts in motion the thoughts about how a life can be lived. This book is a beautiful little novel.NRK Clearing the Air represents a refreshingly crafted and different contribution to Norwegian literatureHAMAR ARBEIDERBLAD More beautiful than realityVirtuously beautiful and efficient, Clearing the air is a fine and precise novel written mostly in short sentences and in present tense. In this way the reality of the book feels like it is happening right now, it quivers and it is real, not just a reference or a translation. You will not find any euphemisms, no tiptoeing around the burning hot topics. The level of precision of the language, combined with the absolutely non-sentimental rendition, makes even the most unappetizing topics fascinating. It is just something that is. A prerequisite. ike time. Or gravitation. The book is quite serious, and serious happenings occur. But the neutral way that it is portrayed makes it at times comical; not least when Päivi in just a few sentences describes her wedding. But this book is neither comedy nor tragedy. It is a piece of outstanding writing, about the small human in endless space.DAG OG TID

Rights soldSold to Finland
Pelargonia
Literature and Fiction2016 · 96 pp

Pelargonia

Frederik Svindland

Pelargonia is a novel about the process of growing up rather than a narrative plot. It is a collection of texts and descriptions of a childhood in Norway at the beginning of the 1990s, which now and then opens connections to both youth and young adulthood.‘Svindland enriches the realm of books with literary sensibility, transforming the private nostalgia into a general expression of how our childhood never stops working inside us.’ KLASSEKAMPEN

Rights soldSold to Denmark
Genuine Joys
Literature and Fiction2016 · 88 pp

Genuine Joys

Lars Saabye Christensen

Two of our greatest artists have created their first book together, an exceptionally beautiful book for adults about the joy of small glimpses.‘We have laid bare private life, abandoned our inhibitions and vacuumed every corner to find as many joys as possible. We have succeeded. It is important for us to emphasise that these joys are not ironic; as the title says, they are genuine.’'Lars Saabye Christensen and Stian Holes picturebook for grown ups is a Genuine Joy.' DAGBLADET'[…] a jewel of a picture book for grown-ups.'FÆDRELANDSVENNEN

Rights soldSold to Denmark