FictionNon-fictionChildren's & YAAuthorsAbout us

Representing the authors and titles of Cappelen Damm for translation and adaptation rights worldwide.

Catalogue

  • Fiction
  • Non-fiction
  • Children's & YA
  • Authors

Agency

  • About us
  • Rights catalogues
  • Rights deals
  • News
  • Fairs & events

Get in touch

rights@cappelendamm.no
Stortingsgata 28, Oslo

© 2026 Cappelen Damm AS · Rights & AgencyPrivacy & cookiescappelendamm.no

Fiction

Literary fictionCrime & thrillerNarrative non-fictionChildren's & YASelf helpCook booksCrafts & hobbies

Browse

FictionNon-fictionChildren's & YA

Foreign rights

Rights sold

Genre

Children's Books902Literature and Fiction722Narrative Non-fiction336Self Help179Crafts and Hobbies146Mystery and Crime143Cook Books107UpLit82

Published

2025 and newer2020–20242015–20192014 and older

Rights sold to

Clear all filters

191 titles in the catalogue

Fiction2014 and olderClear all
The Unseen
Literature and Fiction2013 · 256 pp

The Unseen

Roy Jacobsen

The Unseen is a monument over human courage and life-saving practical and social knowledge. This novel is set in the first half of the 20th Century on the island Barrøy. The island is small, there is only space for Ingrid’s family. Life on the island is difficult and the Barrøy family is poor, but certainly not without guts and skills. They live off of their small land, they have some livestock, they fish in the sea and make use of whatever the waves wash ashore. The dramatic ocean and the seasonal changes make for a plot in itself. Roy’s descriptions of man and nature are breath taking. The family’s love for their environment is brilliantly communicated. A life somewhere else is unthinkable to them. This is their paradise on Earth. The Barrøy family is depicted with great wisdom, sensitivity and narrative skill. Roy turns their practical knowledge into little gems of stories with metaphorical and existential depth. Rights sold to 30 territoriesThe quiet island life of a Norwegian family is evoked in sparse, sublime prose.THE FINANCIAL TIMESThis is a profound interrogation of freedom and fate, as well as a fascinating portrait of a vanished time, written in prose as clear and washed clean as the world after a storm.THE GUARDIAN...as blunt as it is subtle and is easily among the best books I have ever read.(...) There is a unique universality about The Unseen. Jacobsen’s prose is beautiful, clean, poised and plain speaking, but there are interludes of Shakespearean grandeur in the dazzling descriptions of storms. The family seems to accept these vicious tempests as necessary rituals. (...) Yes, there is a terrific story but it is the writing that will cause most readers to read this book at one sitting.THE IRISH TIMESA beautifully crafted novel . . . Quite simply a brilliant piece of work . . . Rendered beautifully into English by Don Bartlett and Don Shaw, The Unseen is a towering achievement that would be a deserved Booker International winner. NEW EUROPEAN '(…) the pages are packed full of quiet humour, charming personalities and surprising events. All of this is wrapped up in a dense, poetic and wonderfully imaginative imagery that made me wish the book would never end.' Brønnøysunds Avis, 6/6 'Roy Jacobsen holds his own among the masters and it would be odd if he weren’t on the list of nominations for the Nordic Council literature prize. With this novel, the small people are no longer unseen. A new monument has been raised to the coastal folk.' Varden 6/6 An extraordinary depiction of a remote area'Equipped with a playful, subtly shifting and omniscient narrative voice. Jacobsen drifts in and out of the different family members, and gives each of them a strong and vibrant presence in the text. (…) Roy Jacobsen’s new novel is quite simply literature of a high, high class.' Aftenposten Roy Jacobsen’s The Unseen is a modern masterpiece about poverty in Norway 'Roy Jacobsen’s new book will stand as an utterly central novel in Norwegian literature. (…) Few Norwegian authors are capable of conjuring up such contrasts in such powerful language: on a par with the best of the sagas, and of Jewish and Greek narrative art.' Klassekampen Respect for seriousness 'In The Unseen, Roy Jacobsen shows why he is one of our most important authors. (…) Now I’m reading about falling snow and enjoying very single word. This is a rare thing because, as a reader, I could die of the boredom these sorts of descriptions provoke in me. His descriptions aren’t like those of Hamsun – it’s not a question of copying – but in both cases we sense the impression nature has had on them as authors. (…) This is an excellent novel. The level of precision is joyous the language is poetic. Roy Jacobsen stays the course. He has the gaze and skills it takes to convey the truth about humanity. The result is great art.'Vårt land

12…456…1516
Rights soldSold to 24 territories
The Blind God
Mystery and Crime2013 · 432 pp

The Blind God

Elisabeth Gulbrandsen / Chris Tvedt

In the previous Tvedt crime novel, Av jord er du kommet, we met his new hero, Edvard Matre, investigator with the crime squad. Matre is also the leading character in the new crime story, Den blinde guden. An exceptionally brutal robbery ends in murder. Edvard Matre and his team are investigating. The trail leads them to a group of violent right-wing extremists, but, to Edvard’s total frustration, he is told by the PST, the Norwegian security services, to keep off. Which is easier said than done. In the end, Edvard has to make up his mind about what matters most: ‘The safety of the realm’ or a woman’s life. At the same time, he also has to deal with the growing suspicion that one of his own people may have lives on his conscience. Chris Tvedt’s previous crime novels are sold to the Czech Republic, Denmark, Germany, Macedonia, the Netherlands, Poland and Ukraine. ‘There is little more to say except to congratulate on a smartly completed work ... Superbly exciting and intelligently plotted.’VG‘Den blinde guden is Chris Tvedt’s second book about DI Edvard Matre. The first one was good, the second one just as good.’Dagbladet ‘This is a story which accelerates immensely. The tensions built into several storylines are tightened at the same time throughout the 92 brisk chapters. Well plotted, elegantly invented and, definitely, no happy end. This will become a TV series, the only question is how soon.’Bergens Tidende‘Crime fiction with thriller features and multiple tense, slowly unravelling storylines.’Adresseavisen‘Chris Tvedt and Elisabeth Guldbrandsen occasionally write great passages that are fit to be filmed. The heart-breaking opening scene and the videoed account of the robbery hit the reader where it hurts.’Bergensavisen‘Den blinde guden is one of the more believable narratives that have so far emerged out of this autumn’s flow of crime fiction. Believability doesn’t make any less exciting than everybody else’s hunts for serial killers, but rather the opposite.’Dagsavisen

Rights soldSold to Denmark and Germany
The Last Fox Hunt
Literature and Fiction2013 · 272 pp

The Last Fox Hunt

Ingvar Ambjørnsen

The Last Fox Hunt (Den siste revejakta) was Ingvar Ambjørnsen´s great break through, first published in 1983. Unvarnished and raw, with acid black humour, the story is whipped out of the big city frenzy. The story of group of outsiders where the law beyond the law is rock hard and brutal, but where there is also love and friendship. The Last Fox Hunt is intensely exciting, and so well written that it will make your cold sweat run. This novel is a cult classic for readers of all ages. When you are neck high in shit, it is time to get out. Let it all go, find your girl and reach for the dream about a quiet life. Carl F. Vang just has to do the last, great deal - receiving a shipment in the middle of the fjord on a stormy night, deal with certain people and at the same time stay clear of his enemies. After that.... From the introduction written by Ingvar Ambjørnsen for the 30 year anniversary of the novel: I was writing all winter in a dark studio apartment in Grünerløkka - in those days a part of the city almost without any bars or other temptations. The books published at the time where, to say it in drug jargon, a total bust. The publishers being tricked by stories about girls doing shots of LSD before going to school, and so on, in that style. One step away from syringes filled with marijuana. Both the police and the media did not know the difference between hard drugs like heroin and morphine, and soft drugs like weed. Well, they seriously still don´t know. This was why I wanted to write a Norwegian novel about how things really went down, from an environment that I knew as the back of my hand.

The Last Thing You Will See Is A Face of Love
Literature and Fiction2013 · 496 pp

The Last Thing You Will See Is A Face of Love

Eivind Hofstad Evjemo

Practically an entire community is described in The last You will see is a face of Love (Det siste du skal se er et ansikt av kjærlighet). Even the floor in a gymnasium is given its own tiny chapter. The narrative focuses on four characters: Roy and his son Aksel, together with Kjersti, who is an advocate for the handicapped school pupil Siri, and finally the head master at Aksel and Siri's school. We share their day to day lives as the quiet drama unfolds in a community sheltered by the newly-rich Norwegian state. Hofstad Evjemo writes about the dreams you hold on to in places where the world seems distant – and about everyone sharing the hope that life will offer something more. But, as we know, this is also about a community: new spaces in it are opened up and you can get in behind the facades, go where no one usually goes, find new patterns and structures. Practically everyone is presented and has parts of his or her life described: the bus driver, the driving school instructor, the nurse, the headmaster, the pupils, and the local authority arts boss – even the Crown Prince, when he visits the college in the town to give a lecture on climate. We are given a roving, strangely realistic view of the author's dissection of a body of Norwegian reality. Everywhere, he provides sharp thumbnail sketches of social and communal life. Eivind Hofstad Evjemo has dared to do something not many in his generation would try: make a community his subject and explore its social hierarchies. He writes in a charged, insightful language. ‘Eivind Hofstad Evjemo recreates life in Norway in 2012, down to the finest detail, in a major candidate for the title “the great Norwegian novel”. … Det siste du skal se er et ansikt av kjærlighet is the kind of book that will challenge the capacity of the delivery trucks supplying the book shops this Christmas.’DAGENS NÆRINGSLIV ‘This is an extraordinarily well-written piece of Norwegian contemporary literature (...)Brilliant: This is an unusually well-written example of contemporary Norwegian literature ... Eivind Hofstad Evjemo has an excellent grasp of style.’KLASSEKAMPEN ‘Evjemo writes exceptionally well, with passion, insight and credibility. He is also effective in his use of humour, without being crude or dull. We smile with the people in his narrative, not at them. The characters come alive as nuanced and believable individuals. ... Det siste du skal se er et ansikt av kjærlighet is an ambitious and successful book which stands out among other contemporary Norwegian novels.’ADRESSEAVISEN ‘Eivind Hofstad Evjemo’s excellent second novel describes individuals and local communities in a maelstrom of ordinary life. ... His language, which is both realistic and poetic, allows Evjemo to show how ruthlessly time slices through communities and human lives. In this way, Det siste du skal se er et ansikt av kjærlighet forms a lucid image of a small part of Norway.’DAG OG TID ‘Playful and serious… The novel tugs and tears at the facades and empty clichés surrounding success. It goes to where real human beings exist, closely connected with each other. ... In a time when writers compete in describing their own, personal life experiences, it is a delight to hold in your hands a novel which insists on describing the ways in which every single human being is sincerely connected to others.’ 5 stars out of 6TRØNDERAVISA ‘This novel makes me reflect on the ways in which we organize and systematize our society, and how we really treat each other in this country, which is always top rated on indexes measuring happiness and quality of life. That a book triggers such ideas in the minds of its readers shows that the text has taken a long stride in the direction of a socially engaged literature. Well done in these days of self-revelation and glorification of intimacy.’VÅRT LAND ‘This is skillfully written. The result is beautiful.’STAVANGER AFTENBLAD ‘Clever writing about local authority management … It follows that Det siste du skal se er et ansikt av kjærlighet is a witty satire, a wise story and sometimes so disquieting that the sum total becomes truly interesting.’ NRK P2 ‘There is a longing in us all that Evjemo expresses sensitively in this low-key novel, which reaches its greatest heights when it takes the least things seriously. It is a humble and very Norwegian insight.’MORGENBLADET

Rights soldSold to Denmark
The Leaves Are Singing
Literature and Fiction2013 · 360 pp

The Leaves Are Singing

Britt Karin Larsen

Britt Karin Larsen’s four previous books about the people from the Finnforest were received with huge enthusiasm and, in 2012, Før snøen kommer was a success with the critics. In the new novel from the Finnforest, Larsen continues where she left off last year. In a subtle and at the same time powerful style, she tells of poverty, death and love in the lives of the forest people. Britt Karin Larsen is an exceptional writer, with a unique voice of her own. ‘Britt Karin Larsen has this unique ability to see life and events in the forest area between Hedmark and Värmland from a bird’s eye view, an almost divine point of view, and to zoom in on the strengths and weaknesses of individuals. She does this without the language she uses becoming pompous or melodramatic. We relate to the characters’ pain and joy, and follow the Forest Finns through almost a century of Norwegian history. This series deserves a big literary prize, and a bigger readership!’ TARA ‘A great storyteller … Britt Karin Larsen fascinates once again with a strange language which is hers and hers alone.’ VG ‘It’s amazing that Larsen manages to keep the pace up in this beautiful, critically-acclaimed and entertaining series. She writes so warmly that the series gets better with every book. These books are a gift to the book-reading public. … Traditional, well-written historical novels which are fast-paced and dramatic. I enjoyed every page of these books, and I hope that Britt Karin Larsen keeps going. The series is still going strong in follow-ups one and two and three.’ DAGBLADET ‘She just keeps going. Britt Karin Larsen’s series about the people of Finnskogen just gets better with every book she writes. … A masterpiece in the making.’ HAMAR ARBEIDERBLAD ‘Narrative art from Finnskogen … A great storyteller who deserves a large audience.’ DAGSAVISEN ‘Larsen manages to combine a sense of the dramatic with interest in the everyman, an individual struggling to get by in a life of poverty who finds happiness where it is least expected.’ DAG OG TID

Rights soldSold to Denmark
Finnskogen 1-3
Literature and Fiction2013 · 768 pp

Finnskogen 1-3

Britt Karin Larsen

Come back in time with us, and meet the cast out bear hunter Taneli and the survivor Lina in a story you will never forget. In the borderlands between Norwegian Hedmark and Swedish Värmland in the 19th century, we meet the ethnic minority of the Wood-Finns. Lina is wandering the woods with a new-born baby in her arms. She meets Taneli, a loner feared by society because of a murder he supposedly has committed. Together they try to build a life. We also get to know the other Finns in the area, like the drunkard Oluf, the witch Kaisa and the beautiful Hilda. In a ravishing, raw, tender and at times deeply moving way, Britt Karin Larsen tell the tale about the fight to survive and the bonds to nature that Lina, Taneli and the others collect strength and life from. The author gives the Forrest Finn-culture a voice, and she does it with tender intensity and great respect. This edition contains: There is a Tree Growing in Mostamägg, The Forrest of the Sky Bear and As the Stone Shines. This collected edition of the 3 first books in the series has had a print run of over 15.000 copies in Norway. ´Is this relevant for the Danish readers? After I have read book two and three in the series the answer is yes. Britt Karin Larsens family chronic about the Finnish migrators, that 500 years ago took residence in areas so wooded that the settlers had to literaly chop and burn their way there, has a rare fascination. This is because of the writers ability to combine the description of poverty and discrimination with the joy of living, human stubborness and the depiction of love for nature.´WEEKENDAVISEN, Denmark

Rights soldSold to Finland and Sweden
Rings of Love
UpLit2013 · 256 pp

Rings of Love

Yvonne Andersen

ÅRRINGER En hjertevarm og nær historie fra Lunderskog Silja Olafsen, eneste barn av sagbrukseier Arvid Olafsen, blir stående overfor et vanskelig valg. Skal hun gifte seg og føre slekten videre, eller skal hun trosse faren og ta over sagbruket? Midt i valget dukker det opp en fremmed i bygda. En omreisende tømmerfløter, kjent som Elvekongen. Den lille bygda blir også rammet av en uhyggelig hendelse. Silja samlet mot og så baronen rett i øynene. «Hva er det jeg har gjort galt? Hva har jeg gjort Dem, herr Bøchmann?» Baronen så et øyeblikk ut til å miste fatningen. Men han hentet seg fort inn igjen og freste sint: «De …» Han pekte på henne med en dirrende finger. «De er skyld i at jeg har en sønn begravet på kirkegården.»

Rights soldSold to Poland and Sweden
A Room of One's Own
Literature and Fiction2013 · 208 pp

A Room of One's Own

Lotta Elstad

Anna Louisa Millisdotter has her own room and a bank account full of money – what more could a 70-year-old want? Anna Louisa is ripped from her quiet retirement by an article in the country's second biggest newspaper. The author is the same woman who once persuaded her to go into public exile. The woman who claimed to have been lured into prostitution by her academic supervisor. Former student Catherine Wolf, now a professor in Anna Louisa's old faculty. And suddenly the game is on for Anna Louisa. She decides to show her face in public again – for the first time in 20 years. A Room of One's Own is feminist satire, a chamber play with room for both bitcoins and saloon guns.Lotta Elstad writes like a love child of Dag Solstad and Vigdis Hjorth: Intellectual, engaged and witty.DAG OG TIDIn light, satirical style and with a precise depiction of distinctly Norwegian societal structures, Elstad explores the need to find a place in the world and give life meaning, and how banal the outcome of this struggle can be no matter how strong the fighting spirit once was.KLASSEKAMPEN A novel full of social analyses, brimming with zest. (…) Like Elstad’s debut The Studio Apartment, A Room of One's Own is a novel with a political slant. Anna Louisa is bitter at life, tired of the public being made up of idiots, ready to put them in their place. Elstad’s short, concise writing style makes this an entertaining read.STAVANGER AFTENBLAD An intellectual, entertaining novel of high standard.MORGENBLADET

Rights soldSold to France
Danger and Delight
Literature and Fiction2013 · 216 pp

Danger and Delight

Vigdis Hjorth

Above all, Vigdis Hjorth is a novelist, but she is also a committed and critical reader and contributor to the social debate. In 1999, her collection of prose pieces Confessions of an Erotic Author was published. The book is a showcase for her sense of humour and acute insights in small as well as larger matters. Since then, her writing has developed until she is now one of Norway's most interesting authors. She was awarded the Hunger (Sult) Prize and her recent Long Live the Post Horn! has just won the Critics' Prize. Her novels always trigger comment and discussion. Now, we are offered another opportunity to read her thoughts about other authors, for instance Hamsun, Brecht, Woolf, Kierkegaard, Gombrowicz and others. This collection contains articles, poetry, interviews and longer essays. The tone of Literary Essays is laid-back and amusing, but demonstrates the author's great intellectual breadth and engagement. 'Vigdis Horth presents a collection of great articles she has written about literature in a book called Fryd og fare, where she proves that a warm, educated and enthusiastic person can make learning fun and inspiring in a way machines just can’t… It takes time to read this book, but not because it’s long or verbose. It takes time because you need to put it down and have a think every now and then and have discussions with yourself about the topics in question. It is only once you’ve had this discussion that you can you pick it up again and carry on, with Vigdis Horth as your able guide.' Dag og Tid 'When I read Fryd og fare, I want to write more like Vigdis Horth... an inspiring contribution to the never-ending debate about the role of literature.' Morgenbladet 'Vigdis Horth is a master of the art of seducing the reader without losing sight of seriousness. The result is eleven great texts about life and literature… Hjort discusses freedom and responsibility, and her essay about Søren Kierkegaard weaves personal experience with philosophical insights about daring to live a life free from the pressure to conform. Vigdis Horth’s life and literature is in itself an example of this. … Vigdis Horth’s essay collection “Fryd og fare” reminds us that literature in one way or another must concern the reader in order to be relevant and interesting.' Bergens Tidende 'An exemplary presentation of other writers.' Dagbladet 'This essay collection showcases an author who plays the whole gamut. … This essay collection gives good insight into Vigdis Horth’s many passionate relationships with literature, relationships which showcase an author who plays the whole gamut and where eroticism by no means reigns supreme, but is one of many human fields which can be used to illuminate our lives and help us to understand ourselves better.' Dagsavisen

Rights soldSold to Germany
Suburbia
Literature and Fiction2013 · 224 pp

Suburbia

Linn Strømsborg

As Eva finally completes her Master's degree and sits on the roof terrace with her family and friends, champagne flowing freely, it strikes her that she can do whatever she likes – that the future really is up to her. She can find a job, but which? And where? She can find a flat. Fill her days. Live life. The world really is her oyster, as they say, but what will she do with it?She can't decide. She just can't do it. And so she moves back home, back into her old bedroom and surrounded by her parents and old circle of friends in the suburban area of Furuset. Before she knows it, she's wandering through streets she knows inside out, back living a life that she hadn't realised that she had left behind.Suburbia is a suburban novel. A poststudy depression novel. A novel about growing up in reverse. About friends, music, getting lost and realising that you can't simply get lost after all. About taking a step back before you might be able to take two forward.‘A moving and beautiful tale of adulthood that didn't come when it was supposed to. … Every decade, every place needs its young Werther or its young Eva from Furuset.’ NRK

Høgare enn sola
Literature and Fiction2013 · 208 pp

Høgare enn sola

Geir Olav Jørgensen

The novel begins with the male first-person narrator receiving an unexpected email from an American called Eliot. It instantly brings back memories of the summer of 1997. That was the summer when he returned home after a long journey. He had called his mother from the quayside. ‘I asked my mother if she would pick me up and she couldn’t say no to me, I was the prodigal son.’ Good food, a clean bed and clean clothes are ready for him, but the summer is going to turn out to be quite different from any other. Two friends, Eliot the American and Aaron the Jew, are on their way to his part of the country. They come across an empty house in the forest and move in. Eliot has brought with him a bag full of strong intoxicating stuff. The goal is intoxication, overwhelming and mind-changing. Many have written about ‘blowing your mind’, but few have succeeded as well as Jørgensen in this book. He also writes brilliantly about the unexpected and irresponsible state of mind that goes with intoxication. This is an uncompromising novel that searches for transgression, for the boundaries where space, talking, music-making and events coalesce into a whole. ‘... the sorrow crushing them is depicted in such an intensely beautiful way that it paints a sky over their lives and the narrator sees ‘a glorious everyday’. Høgare enn sola is Geir Olav Jørgensen’s fourth novel. It sets the foundations for something which is in the process of becoming an interesting authorship.’ DAG OG TID 'Høgare enn sola is frightening, and beautiful. Also, it provides insights into an understanding of reality and a search for something else.’ BERGENS TIDENDE ‘The moving descriptions of love, sorrow and loss, and new hope, make Høgare enn sola rise above most of the Norwegian novels I read in 2013.’ STAVANGER AFTENBLAD '...here is an author whose publications are worth following.' TARA

Incubus
Literature and Fiction2013 · 160 pp

Incubus

Stig Sæterbakken

"She smelled so good. A heavy smell of body, that no soap or perfume could chase. When she slept, I sometimes put my head on her shoulder with my nose close to her armpit, and all the air that I would breathe in would be filled with the smell of her.""For a period of time, everything would remind me of her. I could neither see nor listen to anything, smell or touch something, without being reminded of her. All taste reminded me of being with her. I think it is a quite common experience."Incubus was published in 1991, and was Stig Sæterbakkens debut as a novelist. The novel is about a young man that is looking for foothold in the world, a foothold he lost when his girlfriend Maria died. The young man is looking for the essence of life in the mystics and alchemy, together with the intellectual hermaphrodite Magda, or the young weirdo Jonas.

Rights soldSold to United States