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Children's Books902Literature and Fiction722Narrative Non-fiction336Self Help179Crafts and Hobbies146Mystery and Crime143Cook Books107UpLit82

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You Are So Beautiful
Literature and Fiction / Children's Books2013 · 128 pp · Age 12+

You Are So Beautiful

Brynjulf Jung Tjønn

It’s summertime, and everything is different now. Uncle Simon moves in with Henrik and his mother. Simon and Henrik have always been close, but now Simon is ill – really ill. It’s not difficult to work out what will happen, even if his mother avoids coming right out and saying it. Henrik tells Simon that he’s kissed Kjersti, a girl in his class at school, even though he hasn’t. He didn’t dare, even when he had the chance. Kjersti is due home soon from her holiday in Italy, and Henrik wonders if she has missed him at all. How beautiful you are (Så vakker du er) is the story of a boy on the brink of becoming a young man, all whilst another young man is fading away. This is a story that touches upon grabbing the chances life gives you – and the fact that one day, quite suddenly, there may be no more chances to grab. Brynjulf Jung Tjønn’s writing is both concise and intimate in form, brimming with language that swells with emotion.Winner of the Brage Prize 2013. ‘The title How baeautiful You are can be seen as a description of the novel itself. … Emphatic sentence structures lend the storytelling intensity and power. As the novel is also short and easy to read, it is, in every way, a gift for young people about to sit their ‘nynorsk’ language finals. Having said that, Så vakker du er is a very readable book for adults as well as for young people. ... The advice to ‘Seize the day’ can be read between the lines. Go for the options open to you in the here and now, one day it might be too late!’ VG ‘If it were possible to speak with books, I might well have said to this short novel How Beautiful You are. How beautiful and how painful you are. … The author does not spare his readers and sets to work with thoroughness and attention to concrete details. He takes both his difficult theme and his readers seriously, and his short sentences hammer into us the cruelty of real life. … Like all outstanding novels for young people, this one too makes good reading for adults.’ NRK.NO ‘… this novel has unmistakable qualities, not least because the young reader is offered good opportunities to keep in touch with his own emotions. Jung Tjønn’s narrator is Henrik, a boy who lives with his mother and, later, also with her brother, Simon, who is mortally ill. The friendship between uncle and nephew is described in sensitive nynorsk, set out in a sentence per line. The layout enhances the poetic feel of the writing … At its best How Beautiful You are hits you where it hurts. … Jung Tjønn’s slow sentences contain a quiet acceptance of the necessity of death. Given that, one had better work out how to relate to death. This means that Så vakker du er might well come to function well as a kind of self-help book. At times, it expresses in new, fruitful ways how to confront Death ’face to face’.’ BARNEBOKKRITIKK.NO ‘The dramatic tension is generated as Henrik accompanies Simon into death, staying close on the journey with no return, an overpowering and claustrophobic experience. Tjønn writes with magnificent effect, but at the same time with nuance and tenderness. … It is the weightiest book I have read for a long time and, when all is said, my favourite for the Brage Prize for the best book for children and young people in 2013.’ AFTENPOSTEN ‘Living is fantastic and painful at the same time, and described here in a poetic prose that moves the reader. This is a fine novel.’ DAG OG TID ‘Tjønn has written a moving and hopeful story about a young man who manages to find within himself the strength to cope with life.’ NYNORSK.NO

12…678…1516
Rights soldSold to 3 territories
Frankly, my dear
Literature and Fiction2013 · 176 pp

Frankly, my dear

Erlend Loe

It was around then she started to come more frequently. At night, just before I was going to bed. She would sit down and talk. Always about how much she loved silence and how good it was being alone. The talk was never ending. I would sometimes fall asleep, just drift off for a moment. But she would not notice. I woke, every time with a little twitch, sometimes with a noise in my throat.Frankly, my dear is a humoristic story about powerlessness. It is a warning to all young men and women. You enjoy Loe's sarcasms and the young man's considerations about himself and his relationship to the woman. Erlend Loe made his literary debut with this novel at the age of 24 years old, and he received raving reviews for it. "Erlend Loe is a wordsmith that elegantly stretches and underplays his characters amok-running inner monologues. With Loe the absurd is never threatening, it would rather seem to be a form of apolitical alienation process, a way to squeeze new acknowledgements out of well-known themes. While many of his colleagues will look themselves in the mirror, Loe holds up the Troll Mirror. His novels almost insist that prose is something other than reality."From the Jury Statement, Aschehougprisen 2003"Rarely, very rarely, do you read a novel that you know that you will remember. Usually it is only the classical works by the great masters of literature that will give you such a read. But we assure you: Erlend Loe's Frankly, my dear will be remembered." VG"This is penmanship. It is also comical art (...) the situations and characters so mercilessly put on display, the sentences so wizzy and freshly put together, that you have to laugh rather loudly while reading. (...) The cunning and equilibrant way that the book is written in lifts Frankly, my dear to a high literary level. The satire never stands in the way of the disturbing, the existentially serious - or the poetic."ERIK FOSNES HANSEN, writer"Frankly, my dear by Erlend Loe is the story about a chronic pushover, that deviously and distanced tell the story about his sad relationship to The Woman. It is a crazy funny book, but also something more. It is sort of also a barometer of our time." AFTENPOSTEN

Rights soldSold to 11 territories
Taking Stock
Literature and Fiction2013 · 136 pp

Taking Stock

Erlend Loe

"There were those who thought that Nina Faber should have won the Nordic Council’s Literature Prize in the 1970s. In her own careful way she was a fine poet, but never sufficiently able to find the rhythm of the forced political times; when others wrote about Mao, Nina wrote about marsh helleborine, the pattern in the wings of the dragonfly and about the weather in cities she had never been to." Nina is an ageing poet. Thanks to an award she has spent the past few years in Istanbul, where she completed her most recent poetry collection, entitled ‘Bosporos’. Back in Oslo she settles in a cottage in Sogn allotment garden and awakes early, on the day that will come to be her last. She waits for the editor to call and share the good reviews. But it doesn’t happen. Everything falls through, so Nina decides to take revenge. In Taking Stock (Vareopptelling) Erlend Loe writes humorously and ironically about publishing procedures, the mature woman’s meeting with a new age, and about how much anger and bile there is in a woman of a certain age, spectacularly revealed when she makes the decision to take matters into her own hands. ‘The novel Taking Stock by Erlend Loe instantly reminds us all of the author’s obvious qualities. He is funny! Who but Loe would have cared to write about a lactose-intolerant hedgehog? No one, no one at all. Only Erlend Loe.’ NRK ‘Alternating sensitively between rebellion and a feeling of great unease about our culture, Erlend Loe tells the story of a human being who feels that everything fails to be what it should, in her own case and in the world at large. ... The novel is at its best when it describes her general, existential despair.’DAG OG TID ‘It has become a narrative brim-full of nerve-tensing humour; sensitive, full of excitement and humbling ... In this tightly organised short novel of less than 130 pages, Loe offers us a dense and detailed introduction to settings, times and to a personality losing its grip, and thus, Vareopptelling becomes an elegant account of the slippery slope into disgrace and breakdown. But, in razor-sharp literary dissections, Loe manages also to turn humiliation into more than a driving force. Although written with a light keyboard touch, Taking Stock is also a serious analysis of the logic driven by an excessive sense of shame.’DAGSAVISEN ‘A funny, burlesque and grotesque novel about the poet Nina Faber’s intense anger and robust retribution after a cruel review ... According to my own inventory of his writing, Loe has written his best novel since ‘Doppler’- both are also comparable in focusing on protagonists above the ordinary Norwegian standard. Recommended!’ADRESSEAVISEN ‘He picks settings that he pictures with precision, and his funny passages are light-hearted, easy-going and enjoyable. Characterisation is sparse but sharply observed ... The plot sweeps along, told in a lively tone and at a fast tempo, with brilliantly absurd turns of phrase. Towards the end. Loe completely lets go of the reins, with a quite priceless outcome.’KLASSEKAMPEN ‘It’s really great it is, Taking Stock. A darkly funny little story that takes each turns tightly. Concise and suggestive. Stunning finale. Recommended, if you have an afternoon or two to spare.’UNIVERSITAS

Rights soldSold to 7 territories
Scavenger
Literature and Fiction / Mystery and Crime2013 · 448 pp

Scavenger

Eystein Hanssen

In an old earth cellar in Vika, a homeless drifter finds the remains of a child. Or is it? Elli investigates the site and discovers more remains. Slowly, the site is further excavated and claustrophobic tunnels and forgotten bunkers are uncovered. It is a world apart, where animals are mistreated and people killed. Only the murderer knows all the exits. But Elli must get in there. She has several lives to protect. Do we really know what exists under the ground in Oslo? This is the fourth book about Elli Rathke, the half Norwegian/half Thai investigator with a black belt in karate. ‘This time, Eystein Hanssen takes us down into very unpleasant tunnels and bunkers underneath the roads and pavements of the city. An interesting journey, as many of them actually exist. In the plot itself, the author also shows us something real, a special environment unknown to many which I have not seen discussed in a novel so far. And the reader does not only get a trip down into the dark spaces under Oslo, but also a trip into the darkest corners of the human mind. … exciting throughout.’ VG ‘Eystein Hanssen is socially engaged and looks at contemporary issues. This time he touches upon various issues such as fauna crime, illegal adoption and the abuse of au pairs. These themes are handled in an interesting way. ...I expected excitement in book number four about Elli and was not disappointed. I think Eystein Hanssen has done it again. He has a unique ability to create thrillers from contemporary issues. This makes for both frightening and exciting reading. There is no shortage of action, and the end in particular is breathtaking. All the loose threads are tied up and solutions are found.’ OPPLAND ARBEIDERBLAD ‘Frightening and brilliant … He keeps the excitement going for 448 pages. You just want to keep reading, and it is almost sad when it’s over.’ STAVANGER AFTENBLAD

Rights soldSold to Germany and Sweden
Bella Blu
Literature and Fiction2012 · 272 pp

Bella Blu

Terje Dragseth

Bella Blu: A Space Handbook is something as rare as a collection of sci-fi poetry – a voice from the future. In this work, Terje Dragseth explores a lyrical language that can encompass knowledge about the world from the natural sciences.‘This volume of epic poetry breaks all the constraints that you usually associate with the genre … Bella Blu is an open text and the reader is free to wander, enter and leave.’ FÆDRELANDSVENNEN

Rights soldSold to Germany
The Five Matches
Mystery and Crime2012 · 272 pp

The Five Matches

Hans Olav Lahlum

A sober school master is violently upset when, during the week after Christmas, he receives an envelope containing five matches. The next morning, he is found in the snow, killed by a gunshot. This is one of three murder mysteries set in 1971, and the fourth book in the successful series about K2 and Patricia.

Rights soldSold to United Kingdom
You are not dead until I stop loving you
Literature and Fiction2012 · 160 pp

You are not dead until I stop loving you

Didrik Morits Hallstrøm

«We can get some bad coffee at 7-eleven. We can rent a DVD where the narrative does not take place under water. I can warm your hands with my breath. We can look at the snow. I can stop biting my nails. Even if never is a great word and love an even greater one, I will put bith of those words in a sentence and I will press your chest against mine. I will look down into your light, open face. Pull your hair back. Kiss you where your nose becomes your forehead. And you will tell me to make sure that the wind does not catch you and make you fly away. And I will put my weight on you and tell you that it is impossible for you to fly away.» You are not dead until I stop loving you is a love story from Oslo. A novel about having it all and nothing, all at the same time. But first and foremost it is the story about Iben and Daniel. Love in the time of chaos«A tight, poetic and street-smart saga from the night side of Oslo, about a troubled mind adrift. Believable and feverish at the same time.»VG Hate, death and love«The novelist has a story to tell and the ability to tell it. It is a gripping literary work.»DAG OG TID «The prose is simple and held in a low tone, with almost episodically impressions, moments of sensing that effectively illustrates the short distance between having it all and then being left with nothing.»STAVANGER AFTENBLAD «In quick strokes he draws observant pictures of places and environments that can be both close and recognizeble and at the same time surprisingly strange.»AFTENPOSTEN

You Don't Know Who I Am
Literature and Fiction2012 · 192 pp

You Don't Know Who I Am

Line Nyborg

It is like there is another girl inside me, one that does not want to listen to the voice in the darkness, who wants to tease is, who believe that she can do more, that is drawn to the darkness, forcing it even closer, like she wants it, like she wants to pull the fear out of the shadows and take a look at it face to face, do everything it does not like, the worst, there is another girl inside that wants something more. It is that girl that the fear is there to watch over. You do not know who I am is the stand alone sequel to the debut novel Only Mother, who is God. Elin is twenty years old and has moved from the north of Norway to Oslo to attend school. As the novel begin, she is alone with a new-born baby.

Selected Essays
Literature and Fiction2012 · 304 pp

Selected Essays

Stig Sæterbakken

Stig Sæterbakken (1966-2012) was known as an author that would not shy away from painful subjects under debate. He was also one of our foremost essayists. In this book we have selected some of the highlights from almost 20 years of exploring the possibilities of the genre. Here you find critical and enthusiastic studies of writers like Samuel Beckett, William Faulkner, Søren Kirkegaard and Louis-Fernand Céline, artists like Emanuel Vigeland and Joel-Peter Witkin, a wide essay discussing the post-war use of Adolf Hitler as a metaphor for evil, as well as specializing in topics like ethics, anxiety, having a death wish, holiness, melancholia, tenderness, obscenity, beauty, identity and being well dressed. The selection is gathered from the collections Aesthetic Bliss (Estetisk salighet - 1994), The Evil Eye (Det onde øye - 2001) and Dirty Things (2010), and the bonus track "Sacred Tears" that is published in a book for the first time. The afterword is written by Anders Johansson, PhD in Literature at the University of Umeå and critic in Swedish Aftonbladet.

The Studio Apartment
Literature and Fiction2012 · 168 pp

The Studio Apartment

Lotta Elstad

One man. One woman. One more woman. A humid week in late summer – a studio apartment – a kitchen worktop – a teacup – a basket of lemons – a caress – a data cable – a cashmere sweater – a blue day pass – a warm breeze – a light yawn – a warrant for an arrest. You know the story. The Studio Apartment (Ettromsleiligheten) is a novel inspired by leaked interview reports from the Julian Assange scandal that took place in Sweden. The plot concentrates on the Wikileaks founder’s visit to Stockholm in the late summer of 2010; a visit that resulted in an accusation of rape by two Swedish women. The novel does not delve into whether the accusations were lawful, but instead draws attention elsewhere and asks more fundamental questions about betrayal, double-dealing and the relationship between “edited” and “unedited” reports of reality. In the same way it questions the Wikileaks project itself, as well as the wave of documentary literature that this novel itself forms a part of. ‘Elstad’s ambition to portray Assange’s days in Stockholm in the same fragmented, documentary style as dominates on Wikileaks’ own web pages succeeds in grabbing the reader’s attention.’ DAGENS NÆRINGSLIV ‘Lotta Elstad writes about Julian Assange without heroic facts and draws on the relationship between readers and the media … By neglecting to assign a name to the characters or organisations to which they belong, Elstad makes it possible to include a wealth of information in a format digestible for readers.’ MORGENBLADET

The Nightman's Daughter
UpLit2012 · 256 pp

The Nightman's Daughter

May Lis Ruus

Bergen, 1701 Lucie Tønnisdatter husker sin far, som ble ført bort av fremmede menn da hun var liten. Han sa at han alltid skulle ta vare på henne. Likevel måtte hun vokse opp blant andre fattige og foreldreløse barn på det fryktede Tugt- og manufakturhuset. Det er strengt ulovlig, men Lucie sniker seg ut på bosshaugen midt på natten. Hun vil prøve å finne en bursdagsgave til lille Tilly. Lucie ser noe som glitrer - en ring! Men ringen sitter på en hånd, som tilhører en død kvinne. En ung kvinne Lucie kjente så altfor godt...

Rights soldSold to Poland
Before the Snow Arrives
Literature and Fiction2012 · 464 pp

Before the Snow Arrives

Britt Karin Larsen

Poverty rules in the Finn Forest. People are leaving for Christiania or even America, and many of the smallholdings are abandoned. But this book, fourth in the critically acclaimed series about the Finn Forest community, also offers hope. Noppi-Mattis is still using magic runes to protect against the threat of bad times to come; Lina and Taneli's youngest daughter Martha has promised her parents that Mostamägg will never stand empty. ‘A monument to Finnskogen. ... Everything is described in superb language, the characters come across as vivid and true-to-life and the descriptions of nature are brilliant. The author’s awareness of the interactions between plants, people and animals is impressive. Historical novel series will never get better than this.’ VG ‘Magnificent! ... This is literature on the grand scale, also by international standards. ... It’s the best! ... It is like intoxication but one that you want to last and last.’DAGBLADET ‘Warm and intense ... Britt Karin Larsen impresses with the skill with which she sustains both the intensity and the huge scope of her Finnskogen novels. ... She continues to produce superlative novels.’HAMAR ARBEIDERBLAD ‘Britt Karin Larsen has now written the fourth novel in the series about the people in Finnskogen, and she has yet again done it with complete engagement and deep insight, in audacious narrative passages that deal with brutal fate as well as with her magical, mystical sense of liaison with nature.’DAG OG TID ‘The author combines extensive knowledge, understanding and also skill in the art of storytelling. The novels about Finnskogen by Britt Karin Larsen are among the most powerful and dramatic tales that contemporary literature has to offer.’ NRK P2

Rights soldSold to Sweden