Torkel Brekke
Does the Norwegian left have a problem with anti-Semitism? Yes, argues Torkel Brekke in this book. The author shows how parts of the left have cultivated conspiracy theories about Jews and how Soviet Holocaust revisionism was spread in the Norwegian public. He examines how violence against civilian Israelis is justified and how parts of the Norwegian trade union movement and organizational life moved from post-war sympathy for Israel and the Jews to a rhetoric with an anti-Semitic character. No One Is Innocent takes an uncomfortable but necessary reckoning with a political tradition that has been ignored for far too long. For the left, it has been easy to stick the Jew-hatred on the others, i.e. Nazis and the far-right. The left has failed to look in the mirror and ask how they themselves have referred to and treated Jews.
Synne Sun Løes
As long as difference exists, it will always speak with a contradictory tone. Speak over itself. Interrupt, protest and bang its fist on the table. Try to convince the world that it deserves to be heard. At the same time it’s also scared to death and trying to hide under that same table. Tries to muzzle itself. All because it’s scared to be exposed. In these personal and investigative essays Synne Sun Løes writes about adoption and identity. She bases her writing on her own experiences as adopted, as well as non-fiction, academia and the public debates. The themes being illuminated are widely spread, from xenophobia, racisms, being different, “the trend of diversity”, hysteria around infringement and Korean revenge art, to more psychological topics such as transgenerational traumas, psychoanalysis, and connectional damage. How can one take ownership of one’s own experiences as adopted and as a ‘’different child’’ without being accused of taking on the role of a victim? How can one adopt one’s own personal identity, as oneself, when one is “different” in present day Norway? How is identity affected by meeting one’s own biological parents? How can one survive in a world which time and time again tries to spit in one’s face? The author approaches these questions both with wonder, humour and seriousness, and she also casts a critical view at the tendency of society to simplify, edit and polarize the stories from marginalized groups.