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Children's Books902Literature and Fiction722Narrative Non-fiction336Self Help179Crafts and Hobbies146Mystery and Crime143Cook Books107UpLit82

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295 titles with rights sold

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Berlin
Narrative Non-fiction2013 · 448 pp

Berlin

Torgrim Eggen

This book is a portrait of a city and a work of modern Cultural history. Torgrim Eggen follows the fate of Berlin from the fall of the Kaiser in 1918 to the present day. In the 20th century, Berlin was the world's focus – from the Revolution through Nazism and the Cold War to a reunited city. There is still no European capital that concerns us more. This book portrays the city's brutal history, but also some of its extraordinarypersonalities like Marlene Dietrich, Rosa Luxemburg, Berthold Brecht, Willy Brandt, Albert Speer and David Bowie. The modern history of Berlin is a tale of many new beginnings, both in politics and in architecture. And the vision for the city is always the same, whether its origins are in the empire, the national socialist or the communist period: to control and overcome the changeability of Berlin and show it off as stable and lasting, indeed, eternal.From a personal point of view, Torgrim Eggen gives us an insightful and nuanced account of an irresistible city.‘The spectacular and quaint prevail in this book, but the new journalism style is actually quite fitting to Berlin's temperament and dramatic history. ... It is essentially a well-written and knowledgeable book. … Eggen is one of Norway’s few golden pens, an author who neither is capable of nor willing to write in a boring fashion.’Klassekampen ‘An interesting book, with emphasis on a Western perspective. ... He writes so well and thoroughly about the creation of Bowie's masterpiece ‘Heroes’ (both the song and the album) that tears appear in the corner of my eye.’Dagbladet

12…567…2425
Rights soldSold to Serbia
Guardian of the Gate
Literature and Fiction2013 · 168 pp

Guardian of the Gate

Aksel Selmer

Bomvokteren is the tale of a young girl who inherits the job of gate guardian when her grandfather grows older and falls ill. The job involves watching the gate at a mountain pass, and the girl must live alone in a miserable cabin at the side of the road. It is a restricted and strange universe that is depicted; surrounded by the foggy and barren natural landscape around her, she continues her toil alone at the gate station as the cars come and go, occasionally making a stop. There are familiar elements within this story, but reality doesn't necessarily resemble what we know. The tale could as easily be set in the 1950s or 60s as it could in the near future. The living conditions differ from our own, and survival in the harshest of environments is key. ‘Norwegian Aksel Selmer surprises with a story about the conditions for goodness in an evil world that is equal parts beautiful, strange and grim. This is outstanding.’6/6,JYLLANDSPOSTEN‘Fascinating story about a young, naïve girl appointed to look after a turnpike on a lonely mountain. ... Publisher Jensen & Dalgaard found this hypnotising story by Norwegian Aksel Selmer, ... a small publisher that finds and publishes translated quality literature from abroad. And that is precisely what Bomvogtersken is.’WEEKENDAVISEN‘Myth and realism combine in Aksel Selmer’s fascinating Bomvogtersken. A world that is both mystifying yet familiar.’BERLINGSKE TIDENDE ‘Aksel Selmer has written a great novel. High time that the reading public discovered this author’s works.’DAG OG TID ‘It is what remains elusive and unresolved in Bomvokteren that attracts you. That you can never be quite certain elicits a mixed feeling of repulsion and enchantment – and that is what stimulates in new writing.’DAGSAVISEN ‘Bomvokteren is a fascinating novel that, among other themes, deals with how to survive, face up to challenges, be poor and totally under control of others and how to live at the intersection between two worlds.’FÆDRELANDSVENNEN

Rights soldSold to Denmark
The Drowned Boy
Literature and Fiction / Mystery and Crime2013 · 224 pp

The Drowned Boy

Karin Fossum

Konrad Sejer is back! In Carmen Zita og døden, Sejer is very present indeed, not only as the thoughtful, incisive crime investigator but also the human being Konrad Sejer, with problems of his own to deal with. The picture of his beloved Elise hangs on the wall of his sitting room and, every day, he shares some thoughts with her. The dog Frank Robert, a Chinese Shar- Pei, is always at his side. His evenings usually end with a whisky with water and a lonely cigarette. This time, Skarre arrives at the scene first. A small child has drowned in a pond. One unguarded moment and the very worst thing has happened. The young parents are devastated and everything indicates that the death was an accident. But Skarre is taken aback by something about the mother, and tells Sejer of his impressions. As always in cases of sudden death, an investigation is begun and Carmen, the child’s mother, proves to be somebody rather special. Selfish, shallow, spoilt and crazily vain. This novel has everything you have come to expect from Karin Fossum’s crime fiction; a terrible incident and well-drawn, exciting pictures of the people involved, solid police work and a surprising turn of events. And, as ever, literary writing at a high level. ‘Karin Fossum is among our foremost authors, regardless of genre. This because of her unique ability to create real people and her deep understanding of the human soul. She has always mastered this, but never better than in Carmen Zita og døden.’Drammens Tidende‘As usual, Fossum shines with her descriptions of her characters and unpleasant exploration of the human soul. And no other couple of investigators have left such a mark in the souls of crime fiction readers than Konrad Sejer and Jacob Skarre.’Trønderavisa‘Among Fossum’s finest novels … another novel from Karin Fossum with a strong literary quality all the way, wisely distributed portions of revealing details and quivering suspense.’Dagsavisen‘Karin Fossum shows us how the crime novel can be more than sheer entertainment literature. … Well-written and gripping about the hidden murders.’Dagbladet ‘Around the fascinating Carmen character a room for reflection opens up, related to the much debated sorting society. To this comes Sejer’s and Skarre’s not entirely coordinated religious contemplations. … Karin Fossum always gives the reader the solid pleasure of being in good hands, simply because she has something to tell which exceeds the mastery of this genre’s machinery.’Aftenposten

Rights soldSold to 9 territories
Chet Doesn’t Play Here
Literature and Fiction2013 · 80 pp

Chet Doesn’t Play Here

Lars Saabye Christensen

We meet the saxophonist Daniel. Obviously, he cannot play the trumpet like Chet Baker. That is precisely the point. Ever since Daniel was 13 years old and heard Chet Baker on the radio, Daniel has had just one single goal in life: to learn how to play with just that tone, so pure no one knows where it is coming from, the tone that is right for the moment when the soul slots into place.

Rights soldSold to Czech Republic
The Unseen
Literature and Fiction2013 · 256 pp

The Unseen

Roy Jacobsen

The Unseen is a monument over human courage and life-saving practical and social knowledge. This novel is set in the first half of the 20th Century on the island Barrøy. The island is small, there is only space for Ingrid’s family. Life on the island is difficult and the Barrøy family is poor, but certainly not without guts and skills. They live off of their small land, they have some livestock, they fish in the sea and make use of whatever the waves wash ashore. The dramatic ocean and the seasonal changes make for a plot in itself. Roy’s descriptions of man and nature are breath taking. The family’s love for their environment is brilliantly communicated. A life somewhere else is unthinkable to them. This is their paradise on Earth. The Barrøy family is depicted with great wisdom, sensitivity and narrative skill. Roy turns their practical knowledge into little gems of stories with metaphorical and existential depth. Rights sold to 30 territoriesThe quiet island life of a Norwegian family is evoked in sparse, sublime prose.THE FINANCIAL TIMESThis is a profound interrogation of freedom and fate, as well as a fascinating portrait of a vanished time, written in prose as clear and washed clean as the world after a storm.THE GUARDIAN...as blunt as it is subtle and is easily among the best books I have ever read.(...) There is a unique universality about The Unseen. Jacobsen’s prose is beautiful, clean, poised and plain speaking, but there are interludes of Shakespearean grandeur in the dazzling descriptions of storms. The family seems to accept these vicious tempests as necessary rituals. (...) Yes, there is a terrific story but it is the writing that will cause most readers to read this book at one sitting.THE IRISH TIMESA beautifully crafted novel . . . Quite simply a brilliant piece of work . . . Rendered beautifully into English by Don Bartlett and Don Shaw, The Unseen is a towering achievement that would be a deserved Booker International winner. NEW EUROPEAN '(…) the pages are packed full of quiet humour, charming personalities and surprising events. All of this is wrapped up in a dense, poetic and wonderfully imaginative imagery that made me wish the book would never end.' Brønnøysunds Avis, 6/6 'Roy Jacobsen holds his own among the masters and it would be odd if he weren’t on the list of nominations for the Nordic Council literature prize. With this novel, the small people are no longer unseen. A new monument has been raised to the coastal folk.' Varden 6/6 An extraordinary depiction of a remote area'Equipped with a playful, subtly shifting and omniscient narrative voice. Jacobsen drifts in and out of the different family members, and gives each of them a strong and vibrant presence in the text. (…) Roy Jacobsen’s new novel is quite simply literature of a high, high class.' Aftenposten Roy Jacobsen’s The Unseen is a modern masterpiece about poverty in Norway 'Roy Jacobsen’s new book will stand as an utterly central novel in Norwegian literature. (…) Few Norwegian authors are capable of conjuring up such contrasts in such powerful language: on a par with the best of the sagas, and of Jewish and Greek narrative art.' Klassekampen Respect for seriousness 'In The Unseen, Roy Jacobsen shows why he is one of our most important authors. (…) Now I’m reading about falling snow and enjoying very single word. This is a rare thing because, as a reader, I could die of the boredom these sorts of descriptions provoke in me. His descriptions aren’t like those of Hamsun – it’s not a question of copying – but in both cases we sense the impression nature has had on them as authors. (…) This is an excellent novel. The level of precision is joyous the language is poetic. Roy Jacobsen stays the course. He has the gaze and skills it takes to convey the truth about humanity. The result is great art.'Vårt land

Rights soldSold to 24 territories
The Blind God
Mystery and Crime2013 · 432 pp

The Blind God

Elisabeth Gulbrandsen / Chris Tvedt

In the previous Tvedt crime novel, Av jord er du kommet, we met his new hero, Edvard Matre, investigator with the crime squad. Matre is also the leading character in the new crime story, Den blinde guden. An exceptionally brutal robbery ends in murder. Edvard Matre and his team are investigating. The trail leads them to a group of violent right-wing extremists, but, to Edvard’s total frustration, he is told by the PST, the Norwegian security services, to keep off. Which is easier said than done. In the end, Edvard has to make up his mind about what matters most: ‘The safety of the realm’ or a woman’s life. At the same time, he also has to deal with the growing suspicion that one of his own people may have lives on his conscience. Chris Tvedt’s previous crime novels are sold to the Czech Republic, Denmark, Germany, Macedonia, the Netherlands, Poland and Ukraine. ‘There is little more to say except to congratulate on a smartly completed work ... Superbly exciting and intelligently plotted.’VG‘Den blinde guden is Chris Tvedt’s second book about DI Edvard Matre. The first one was good, the second one just as good.’Dagbladet ‘This is a story which accelerates immensely. The tensions built into several storylines are tightened at the same time throughout the 92 brisk chapters. Well plotted, elegantly invented and, definitely, no happy end. This will become a TV series, the only question is how soon.’Bergens Tidende‘Crime fiction with thriller features and multiple tense, slowly unravelling storylines.’Adresseavisen‘Chris Tvedt and Elisabeth Guldbrandsen occasionally write great passages that are fit to be filmed. The heart-breaking opening scene and the videoed account of the robbery hit the reader where it hurts.’Bergensavisen‘Den blinde guden is one of the more believable narratives that have so far emerged out of this autumn’s flow of crime fiction. Believability doesn’t make any less exciting than everybody else’s hunts for serial killers, but rather the opposite.’Dagsavisen

Rights soldSold to Denmark and Germany
The Last Thing You Will See Is A Face of Love
Literature and Fiction2013 · 496 pp

The Last Thing You Will See Is A Face of Love

Eivind Hofstad Evjemo

Practically an entire community is described in The last You will see is a face of Love (Det siste du skal se er et ansikt av kjærlighet). Even the floor in a gymnasium is given its own tiny chapter. The narrative focuses on four characters: Roy and his son Aksel, together with Kjersti, who is an advocate for the handicapped school pupil Siri, and finally the head master at Aksel and Siri's school. We share their day to day lives as the quiet drama unfolds in a community sheltered by the newly-rich Norwegian state. Hofstad Evjemo writes about the dreams you hold on to in places where the world seems distant – and about everyone sharing the hope that life will offer something more. But, as we know, this is also about a community: new spaces in it are opened up and you can get in behind the facades, go where no one usually goes, find new patterns and structures. Practically everyone is presented and has parts of his or her life described: the bus driver, the driving school instructor, the nurse, the headmaster, the pupils, and the local authority arts boss – even the Crown Prince, when he visits the college in the town to give a lecture on climate. We are given a roving, strangely realistic view of the author's dissection of a body of Norwegian reality. Everywhere, he provides sharp thumbnail sketches of social and communal life. Eivind Hofstad Evjemo has dared to do something not many in his generation would try: make a community his subject and explore its social hierarchies. He writes in a charged, insightful language. ‘Eivind Hofstad Evjemo recreates life in Norway in 2012, down to the finest detail, in a major candidate for the title “the great Norwegian novel”. … Det siste du skal se er et ansikt av kjærlighet is the kind of book that will challenge the capacity of the delivery trucks supplying the book shops this Christmas.’DAGENS NÆRINGSLIV ‘This is an extraordinarily well-written piece of Norwegian contemporary literature (...)Brilliant: This is an unusually well-written example of contemporary Norwegian literature ... Eivind Hofstad Evjemo has an excellent grasp of style.’KLASSEKAMPEN ‘Evjemo writes exceptionally well, with passion, insight and credibility. He is also effective in his use of humour, without being crude or dull. We smile with the people in his narrative, not at them. The characters come alive as nuanced and believable individuals. ... Det siste du skal se er et ansikt av kjærlighet is an ambitious and successful book which stands out among other contemporary Norwegian novels.’ADRESSEAVISEN ‘Eivind Hofstad Evjemo’s excellent second novel describes individuals and local communities in a maelstrom of ordinary life. ... His language, which is both realistic and poetic, allows Evjemo to show how ruthlessly time slices through communities and human lives. In this way, Det siste du skal se er et ansikt av kjærlighet forms a lucid image of a small part of Norway.’DAG OG TID ‘Playful and serious… The novel tugs and tears at the facades and empty clichés surrounding success. It goes to where real human beings exist, closely connected with each other. ... In a time when writers compete in describing their own, personal life experiences, it is a delight to hold in your hands a novel which insists on describing the ways in which every single human being is sincerely connected to others.’ 5 stars out of 6TRØNDERAVISA ‘This novel makes me reflect on the ways in which we organize and systematize our society, and how we really treat each other in this country, which is always top rated on indexes measuring happiness and quality of life. That a book triggers such ideas in the minds of its readers shows that the text has taken a long stride in the direction of a socially engaged literature. Well done in these days of self-revelation and glorification of intimacy.’VÅRT LAND ‘This is skillfully written. The result is beautiful.’STAVANGER AFTENBLAD ‘Clever writing about local authority management … It follows that Det siste du skal se er et ansikt av kjærlighet is a witty satire, a wise story and sometimes so disquieting that the sum total becomes truly interesting.’ NRK P2 ‘There is a longing in us all that Evjemo expresses sensitively in this low-key novel, which reaches its greatest heights when it takes the least things seriously. It is a humble and very Norwegian insight.’MORGENBLADET

Rights soldSold to Denmark
The Leaves Are Singing
Literature and Fiction2013 · 360 pp

The Leaves Are Singing

Britt Karin Larsen

Britt Karin Larsen’s four previous books about the people from the Finnforest were received with huge enthusiasm and, in 2012, Før snøen kommer was a success with the critics. In the new novel from the Finnforest, Larsen continues where she left off last year. In a subtle and at the same time powerful style, she tells of poverty, death and love in the lives of the forest people. Britt Karin Larsen is an exceptional writer, with a unique voice of her own. ‘Britt Karin Larsen has this unique ability to see life and events in the forest area between Hedmark and Värmland from a bird’s eye view, an almost divine point of view, and to zoom in on the strengths and weaknesses of individuals. She does this without the language she uses becoming pompous or melodramatic. We relate to the characters’ pain and joy, and follow the Forest Finns through almost a century of Norwegian history. This series deserves a big literary prize, and a bigger readership!’ TARA ‘A great storyteller … Britt Karin Larsen fascinates once again with a strange language which is hers and hers alone.’ VG ‘It’s amazing that Larsen manages to keep the pace up in this beautiful, critically-acclaimed and entertaining series. She writes so warmly that the series gets better with every book. These books are a gift to the book-reading public. … Traditional, well-written historical novels which are fast-paced and dramatic. I enjoyed every page of these books, and I hope that Britt Karin Larsen keeps going. The series is still going strong in follow-ups one and two and three.’ DAGBLADET ‘She just keeps going. Britt Karin Larsen’s series about the people of Finnskogen just gets better with every book she writes. … A masterpiece in the making.’ HAMAR ARBEIDERBLAD ‘Narrative art from Finnskogen … A great storyteller who deserves a large audience.’ DAGSAVISEN ‘Larsen manages to combine a sense of the dramatic with interest in the everyman, an individual struggling to get by in a life of poverty who finds happiness where it is least expected.’ DAG OG TID

Rights soldSold to Denmark
Finnskogen 1-3
Literature and Fiction2013 · 768 pp

Finnskogen 1-3

Britt Karin Larsen

Come back in time with us, and meet the cast out bear hunter Taneli and the survivor Lina in a story you will never forget. In the borderlands between Norwegian Hedmark and Swedish Värmland in the 19th century, we meet the ethnic minority of the Wood-Finns. Lina is wandering the woods with a new-born baby in her arms. She meets Taneli, a loner feared by society because of a murder he supposedly has committed. Together they try to build a life. We also get to know the other Finns in the area, like the drunkard Oluf, the witch Kaisa and the beautiful Hilda. In a ravishing, raw, tender and at times deeply moving way, Britt Karin Larsen tell the tale about the fight to survive and the bonds to nature that Lina, Taneli and the others collect strength and life from. The author gives the Forrest Finn-culture a voice, and she does it with tender intensity and great respect. This edition contains: There is a Tree Growing in Mostamägg, The Forrest of the Sky Bear and As the Stone Shines. This collected edition of the 3 first books in the series has had a print run of over 15.000 copies in Norway. ´Is this relevant for the Danish readers? After I have read book two and three in the series the answer is yes. Britt Karin Larsens family chronic about the Finnish migrators, that 500 years ago took residence in areas so wooded that the settlers had to literaly chop and burn their way there, has a rare fascination. This is because of the writers ability to combine the description of poverty and discrimination with the joy of living, human stubborness and the depiction of love for nature.´WEEKENDAVISEN, Denmark

Rights soldSold to Finland and Sweden
Rings of Love
UpLit2013 · 256 pp

Rings of Love

Yvonne Andersen

ÅRRINGER En hjertevarm og nær historie fra Lunderskog Silja Olafsen, eneste barn av sagbrukseier Arvid Olafsen, blir stående overfor et vanskelig valg. Skal hun gifte seg og føre slekten videre, eller skal hun trosse faren og ta over sagbruket? Midt i valget dukker det opp en fremmed i bygda. En omreisende tømmerfløter, kjent som Elvekongen. Den lille bygda blir også rammet av en uhyggelig hendelse. Silja samlet mot og så baronen rett i øynene. «Hva er det jeg har gjort galt? Hva har jeg gjort Dem, herr Bøchmann?» Baronen så et øyeblikk ut til å miste fatningen. Men han hentet seg fort inn igjen og freste sint: «De …» Han pekte på henne med en dirrende finger. «De er skyld i at jeg har en sønn begravet på kirkegården.»

Rights soldSold to Poland and Sweden
A Room of One's Own
Literature and Fiction2013 · 208 pp

A Room of One's Own

Lotta Elstad

Anna Louisa Millisdotter has her own room and a bank account full of money – what more could a 70-year-old want? Anna Louisa is ripped from her quiet retirement by an article in the country's second biggest newspaper. The author is the same woman who once persuaded her to go into public exile. The woman who claimed to have been lured into prostitution by her academic supervisor. Former student Catherine Wolf, now a professor in Anna Louisa's old faculty. And suddenly the game is on for Anna Louisa. She decides to show her face in public again – for the first time in 20 years. A Room of One's Own is feminist satire, a chamber play with room for both bitcoins and saloon guns.Lotta Elstad writes like a love child of Dag Solstad and Vigdis Hjorth: Intellectual, engaged and witty.DAG OG TIDIn light, satirical style and with a precise depiction of distinctly Norwegian societal structures, Elstad explores the need to find a place in the world and give life meaning, and how banal the outcome of this struggle can be no matter how strong the fighting spirit once was.KLASSEKAMPEN A novel full of social analyses, brimming with zest. (…) Like Elstad’s debut The Studio Apartment, A Room of One's Own is a novel with a political slant. Anna Louisa is bitter at life, tired of the public being made up of idiots, ready to put them in their place. Elstad’s short, concise writing style makes this an entertaining read.STAVANGER AFTENBLAD An intellectual, entertaining novel of high standard.MORGENBLADET

Rights soldSold to France
Danger and Delight
Literature and Fiction2013 · 216 pp

Danger and Delight

Vigdis Hjorth

Above all, Vigdis Hjorth is a novelist, but she is also a committed and critical reader and contributor to the social debate. In 1999, her collection of prose pieces Confessions of an Erotic Author was published. The book is a showcase for her sense of humour and acute insights in small as well as larger matters. Since then, her writing has developed until she is now one of Norway's most interesting authors. She was awarded the Hunger (Sult) Prize and her recent Long Live the Post Horn! has just won the Critics' Prize. Her novels always trigger comment and discussion. Now, we are offered another opportunity to read her thoughts about other authors, for instance Hamsun, Brecht, Woolf, Kierkegaard, Gombrowicz and others. This collection contains articles, poetry, interviews and longer essays. The tone of Literary Essays is laid-back and amusing, but demonstrates the author's great intellectual breadth and engagement. 'Vigdis Horth presents a collection of great articles she has written about literature in a book called Fryd og fare, where she proves that a warm, educated and enthusiastic person can make learning fun and inspiring in a way machines just can’t… It takes time to read this book, but not because it’s long or verbose. It takes time because you need to put it down and have a think every now and then and have discussions with yourself about the topics in question. It is only once you’ve had this discussion that you can you pick it up again and carry on, with Vigdis Horth as your able guide.' Dag og Tid 'When I read Fryd og fare, I want to write more like Vigdis Horth... an inspiring contribution to the never-ending debate about the role of literature.' Morgenbladet 'Vigdis Horth is a master of the art of seducing the reader without losing sight of seriousness. The result is eleven great texts about life and literature… Hjort discusses freedom and responsibility, and her essay about Søren Kierkegaard weaves personal experience with philosophical insights about daring to live a life free from the pressure to conform. Vigdis Horth’s life and literature is in itself an example of this. … Vigdis Horth’s essay collection “Fryd og fare” reminds us that literature in one way or another must concern the reader in order to be relevant and interesting.' Bergens Tidende 'An exemplary presentation of other writers.' Dagbladet 'This essay collection showcases an author who plays the whole gamut. … This essay collection gives good insight into Vigdis Horth’s many passionate relationships with literature, relationships which showcase an author who plays the whole gamut and where eroticism by no means reigns supreme, but is one of many human fields which can be used to illuminate our lives and help us to understand ourselves better.' Dagsavisen

Rights soldSold to Germany